Word: tracts
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...affected last week by the violence that racked leafy, cerebral Berkeley and brought it under military rule. The trouble started May 15, when the university fenced off a valuable, three-acre lot that it owned and planned to develop. Police evicted students and street people, who had made the tract into a pleasant, albeit illegal, People's Park (TIME, May 23). When a rock- and pipe-throwing mob of students and radicals protested, Alameda County sheriff's deputies-dubbed by students the "Blue Meanies"-sprayed them with birdshot and buckshot. One bystander, James Rector, 25, died last week...
...alchemy was simple. The first ingredient was a dusty, three-acre tract in a dowdy neighborhood just off grim Telegraph Avenue. The university acquired the site two years ago, and planned to use it for a recreation area restricted to university people. The $1,000,000 plot became a vacant eyesore when the university cleared it of buildings a year ago. Last month some of Berkeley's "street people"-an amorphous assemblage of hippies, yippies, students and others falling into no classification-took over the plot. They plowed the ground and, with $1,000 raised among themselves and neighborhood...
...days after the master plan was released, a report leaked out that the MBTA was considering a tract of land in South Braintree. Local officials there protested, and it now appears that the South Braintree site has fallen out of favor with the MBTA, leaving the Penn Central yards as the prime prospect for the car barns...
...people had ever heard of hiatal hernia and fewer knew what it was, although surprisingly many must have suffered from it. Nowadays the diagnosis is being made with startling frequency-in 10% to 12% of all patients who have X rays of the upper digestive tract. But is the condition more common than formerly? Probably not, said Harvard's Dr. Herbert D. Adams at a regional meeting of the American College of Surgeons in Boston. The explanation, he suggested, is that the X rays are now being read with greater care and skill. And, he might have added, many...
Toni used relatively restrained camera movements, at most slow pans (excepting one frightening tract), to create a world of permanence--the land, into which all the characters' actions flow. This formal method realizes the plot to give the film a feeling of fatality an fixity. The world of La Marseillaise is a world of motion. But the moral structure of the films--Renoir's view of the place of personal feelings and actions in the world--is the same. Both films are created, closed works, the setting of La Marseillaise being as purely evocative (again, one couldn't draw...