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Word: trademark (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...changed that art as drastically as he. Story and song, play and pageant have always demanded that the audience's imagination fill out the scene; DeMille and his Hollywood disciples left nothing to the imagination. His life was dedicated to manufactured magnificence; the "epic" was his trademark in a world that would never match its image on his movie screens...

Author: /time Magazine | Title: HOLLYWOOD: Epic-Maker | 2/2/1959 | See Source »

Pressagentry. Castro showed a natural flair for publicity. Rebel beards, originally grown for lack of shaving gear, gave the revolt a trademark. Astigmatic from birth, Castro was seldom caught with his spectacles on. "A leader does not wear glasses," he said...

Author: /time Magazine | Title: CUBA: The Vengeful Visionary | 1/26/1959 | See Source »

TIME, Dec. 22, is wrong in treating lightly, whatever "London newsmen" may say, the matter of Spanish "champagne." The vital question of true and false indications of origin is involved, by implication the copyright and trademark laws, and the whole fabric of international agreements concerning labeling. Without these we would have commercial chaos: "English woolens" from Hackensack, "Scotch whisky" from Illinois, "French perfume" from Mexico, "Florida oranges" from Spain...

Author: /time Magazine | Title: Letters, Jan. 5, 1959 | 1/5/1959 | See Source »

...around with Caucasians," says the friend. The strained social relations resulted in many heartaches, and when the hurt was deep enough, Pat became deeply Japanese. Once when a boy she was fond of threw her over, Pat sliced off the ponytail hairdo that has since become her trademark. "I'm shorn of my pride anyway," she said, "so I cut my hair." Her parents would have recognized the Oriental sign of disgrace...

Author: /time Magazine | Title: BROADWAY: The Girls on Grant Avenue | 12/22/1958 | See Source »

...Glee Club, although he led the Radcliffe Choral Society here recently. The inevitable comparisons between him and Professor Woodworth will probably be being made for some time to come, for their approach to choral singing and style of conducting are quite different. The emphasis on diction which was a trademark amounting almost to a fetish in past years has been relaxed, allowing for a smoother, more fluid performance, but sacrificing the percussive element to some degree. There seems to be less attempt at choral "effects," which provide both interest and distraction, in favor of more concentration on the overall shape...

Author: By Paul A. Buttenwieser, | Title: Yale-Harvard Glee Clubs | 11/24/1958 | See Source »

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