Word: trademark
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...freshman Ellen Macadam from third. Dartmouth made a last surge for the win, trailing 5-2 in the bottom of the seventh. With Madick pitching, Dartmouth put runners on first and second. Then Madick hit a batter to load the bases with only one out. The ace showed her trademark poise, however, and got the final two batters to strike out looking. “I could feel myself getting a little tense and I tried to breathe through it,” Madick said. “It was sort of good that they got some people on base...
...fact, many of the Timbaland/Timberlake productions sound similar to their collective past hits. Pharrell’s tracks, on the other hand, actually bring something new to the table while still retaining his trademark bells and whistles (literally). The Williams’ produced second single “Give It 2 Me” is an innovative standout, creating the first-ever audio strobe light in the choruses...
...production budget—many are calling Apatow one of the most bankable people in Hollywood. According to the New York Times, his films have grossed almost a billion dollars once DVD sales are included. Something’s working. Maybe it’s the films’ trademark balance of lewdness and morality. The Apatow canon includes full-frontal shots of both a live-birth and Jason Segel’s penis, as well as characters marked by their chastity and aversion to abortion. Despite their success, even the biggest fans of box office hits such...
...fall into the arms of a perfect guy. That would be Rob (Greg Kinnear), who runs a fruit-drink shop in the neighborhood where Kate?s boss is erecting one of his pricey stores. Fortunately, that subplot lasts for about three minutes, and Kinnear can return to exuding his trademark mixture of blithe assurance and brow-furrowing self-depreciation. For this attractive actor, it?s a blessing and a curse: he?s got the perfect romantic-comedy skills, but he?s in the one decade when the genre isn?t flourishing. Fred MacMurray, Ray Milland and many lesser lights built...
...Negative messages in hip-hop music have long been a topic of concern among worried mothers and professors of popular culture alike, who call for the genre to be reformed. But controversial values are not the trademark of hip-hop generally. Tracy D. Sharpley-Whiting, the director of Vanderbilt’s program in African American and Diaspora Studies, agrees that though misogynistic and violent messages are often heard through public outlets, hip-hop’s full creative spectrum is concealed by major record labels and commercial radio. There has been a widespread struggle to reconcile the artistic expression...