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...appreciated, if a bit underwhelming to these eyes. Rather than tuning instruments or hyping the crowd, they stayed true to the geeky stereotype and hooked up their laptops. The performance that followed was surprisingly high-octane, considering their poignant and wonderfully nuanced records. Sheathed in Plaid’s trademark heavenly synths, the funk came like a double shot of adrenaline and a breath of fresh air. The biggest response, other than to Mira dropping a booty ghetto-tech track at the end of her set, was the ominous “Pino Pomo.” From Rest Proof...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Plaid’s Music Gets You Twisted Up | 4/12/2002 | See Source »

Succulent combinations of shrimp, crabmeat and pork in paper-thin pastry-like wrappings are steamed and served in the trademark bamboo baskets, which are loaded onto carts and wheeled through the restaurant?mobile menu and tableside delivery in one. Beyond the signature dumplings, other offerings include garlic pork ribs, turnip cake and the ubiquitous chicken feet. Dim sum is usually taken with tea?jasmine, chrysanthemum and oolong are favorites?but rice wine and beer are acceptable alternatives...

Author: /time Magazine | Title: Hot Spot: Guangzhou | 3/25/2002 | See Source »

...releasing an EP (Machismo) and an oddities album (Abandoned Shopping Trolley Hotline). After an 18-month hiatus, In Our Gun is a spine-tingling return to the scene. A supremely confident and playful album, it reworks Gomez’ signature bluesy sound without sacrificing any of their trademark oddball goofiness...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/22/2002 | See Source »

...though he was later issued a visa to return to India nearly a decade after his exile, Rushdie had already established a reputation as a national and literary outsider, living in hiding and tip-toeing around a troubled society he refused to accept without first subjecting it to his trademark critical...

Author: By Michelle Chun, CONTRIBUTING WRITER | Title: The Long Journey Home | 3/15/2002 | See Source »

...novelty of his vocal texture and managed to shift the focus onto his mammoth musical mind. Fingering the microphone as if it were a stringed instrument, he made as much an homage to Davis’ improvisational ability as much as he did the legendary trumpeter’s trademark sound. Using sparse figures and sliding ethereal textures juxtaposed with pulsing bass growls, he seemed to push the other members of this impromptu sextet to a higher plane...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: McFerrin Makes Magic | 3/8/2002 | See Source »

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