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...year-old patriarch of Spanish art critics limped scornfully out of Madrid's baroque Crystal Palace. What shocked him, and many another Spaniard, was an exhibit of religious art from Roman Catholic mission fields. Traditionalist Spaniards looked with anger upon the freedom with which the faraway artists had rendered scantily clad Virgins, Chinese Holy Families, Indian Gods squatting Buddha-like-all dominated by a huge statue of Christ dressed as a sannyasi (Hindu ascetic) renouncing this world...

Author: /time Magazine | Title: Religion: How to Spell Universal | 7/30/1951 | See Source »

...Egoniz, a well-to-do Spanish engineer and art collector. He persuaded Benjamin's parents to let him take the youngster back to Madrid as his ward. There he set the boy to studying the great Spanish masters, but carefully kept him out of Madrid's traditionalist art schools. Later, he took him on a three-year tour of Europe, introduced him to Paris' heady artistic life. Unlike his expatriate countrymen, Palencia found more excitement in Spain's plateaus and peasants than in Paris' studios and cafés, shortly returned to his native land...

Author: /time Magazine | Title: Art: In Search of Beauty | 6/18/1951 | See Source »

Parched Heaven. A traditionalist, Prince X does not like the new, either in poetry or in political organization. His followers must be valorous but subservient, and he has little use for democracy: "Freedom leads to equality, and equality to stagnation-which is death . . . The multitude is never free . . ." The happiest men are to be found in "deserts^ monasteries." It soon becomes apparent, in fact, that Saint-Ex wanted the passion for God and love to flourish in a social framework which would shortly make violent rebels of most men of spirit...

Author: /time Magazine | Title: Books: Subservience in the Desert | 10/16/1950 | See Source »

...Sculptor Antonio Filarete completed the massive central doors of St. Peter's Cathedral in Rome more than five centuries ago. His bronze doors were flanked, somewhat incongruously, by plain oak ones-and have been ever since. Last week the Vatican got around to the flanking doors, commissioned two traditionalist Italian sculptors named Alfredo Biagini and Venanzo Crocetti to replace them with bronze bas-reliefs celebrating the history of the church. Critics mildly approved the Vatican's conservative choices, raised a chorus of hurrahs when they learned that it had also commissioned Giacomo Manzu, a controversial modern...

Author: /time Magazine | Title: Art: The Door of Death | 9/25/1950 | See Source »

...traditionalist visitor, Manhattan's wide-windowed Museum of Modern Art has as many jolts as a Coney Island funhouse. Some summer tourists, thankful for the air-conditioning (installed primarily to protect the pictures), take it all in good part. Others are made to feel stupid, cross, or both, when confronted with such enigmatic works as Malevich's White on White-a white-painted canvas adorned with one tilted white square. They are dizzied by the linoleum-like pattern of Mondrian's Broadway Boogie Woogie, dismayed by the necrophilic horror of Albright's Woman, and dumbfounded...

Author: /time Magazine | Title: Art: Surprise! | 9/11/1950 | See Source »

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