Word: tragic
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Dates: during 1920-1929
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...Alfgar dreams of a witch. He sacrifices his kingdom to wander up and down the land in search of her, in which occupation he grows old. In the end he marries the witch, is rejuvenated, dies. To his publisher Robert M. McBride. Mr. Cabell dedicates "this brief and somewhat tragic tale, to commemorate our long and rather comical association...
...Rigoletto" was the opera chosen for the opening night. The settings were conventional, a trifle simplified; the costumes constrastingly brilliant. But the manner in which the opera was sung and acted make the strongest impression of the evening: from the lighthearted courtly dance as the curtain rose, to the tragic closing duet of Gilda and Rigoletto, Mr. Franchetti conducted a group of singers that understood not only the musical but the dramatic possibilities of the work. Joseph Royer as Rigoletto, after passing easily through the opening scene, played his role with tremendous power. Mr. Onofrel was appealing as the Duke...
...Richard III; aged 15, she was starred with her own company. She has played Tess of the D'Urbervilles, Becky Sharp, Salvation Nell, many an Ibsen heroine. In 1890 she married theatrical director Harrison Grey Fiske who still stages her productions. Eight years ago she gave up tragic, wearing parts, but later rallied to play Ibsen's Ghosts. She wears no real furs or feathers, eats no flesh. In 1925 she said: "Society is so organized as to make it seem necessary for thousands of shouting, cursing men to stand knee-deep in blood, dealing ferocious blows right...
...country, where Talu's white blood forever calls her." The local color weighing down Frozen Justice is interesting in the ginmill. Ulric's beautiful figure and husky voice go over well, but the situations are trite and the denouement in a frozen canyon fails to be tragic because it is not inevitable. Best shot: Ulric's singing "The Right Kind...
...Kept Woman Authoress Delmar again looks at Bronx domesticity, makes the colloquial-trivial often seem tragic. The story concerns one Lillian who preferred the sobriquet "kept woman" to the meaningless "wife." Her preference undoubtedly stemmed from the fact that her Keeper Hubert had a frigid, wealthy spouse who typified none of the connubial felicities. But Hubert feared that a divorce would cost him the lovely suburban retreat which Mrs. Hubert had financed, so he cherished Lillian in a Bronx apartment on $15,000 acquired by selling his pitiful business. A series of bibulous, wretched parties fast depleted the finances...