Word: tragical
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Dates: during 1960-1969
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Nonetheless, some scholars concede that a Christian baptism of violence could have tragic implications for American Negroes. The Rev. C. Shelby Rooks, executive director of the Fund for Theological Education at Princeton, unhappily notes: "A drift toward community separation, toward violence, toward the denial of our common brotherhood with white men that the Gospel proclaims." Black militants may attempt to impose the doctrine of violence on their own community, in which case Rooks predicts that "it is highly likely that there may soon be black martyrs at the hands of black people...
Reconciliation will probably be the nation's greatest task for decades. The tragic fact of 1969 is that many voters apparently do not recognize the challenge and that so few leaders are able to point it out to them. What is the prognosis? "Only a crazy man would feel very hopeful," says Sociologist David Riesman. "But only a self-indulgent man would give...
...most men are not so sure as they once were of just what constitutes "appeasement"-or whether a policy of "get tough" is a winner's game either. Still, if the tactical lessons of Munich seem less and less simple to apply, its moral implications are not. The tragic events of history, so often in retrospect accepted as inevitable, were shaped by human will and wisdom-or the lack of them...
...Versailles in 1919, the victorious Allied leaders assembled to make the world "safe for democracy." They succeeded only in making it safer for tyranny. The tragic peacemaking efforts of Georges Clemenceau, Lloyd George and Woodrow Wilson are an oft-told story. Yet their means and ends have rarely been presented in so finely detailed and lucid a book as this. The work is all the more remarkable because it was written by a 38-year-old part-time historian who doubles as an executive of a floor-materials company in Elizabeth, N.J. His only previous book: Dare Call It Treason...
...Heil" and Farewell. The same tragic cycle occurred in Bavaria. There a relative moderate, Kurt Eisner, seized power in a bloodless coup in November 1918. A Jewish drama critic who was far from being a thoroughgoing revolutionary, Eisner forbade terrorism. He even tried to practice absolutely open politics and diplomacy; all cables and memoranda, for instance, were left on display on his desk. The only thing he nationalized was the theater, mainly to ensure that parts would be equitably distributed among actors. When he felt his popularity slipping, he staged a spectacular at the Munich opera house. Bruno Walter, then...