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Word: tragical (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Krueger's tragic death has brought important issues to light concerning binge drinking (defined as consuming five or more drinks in an evening for men and four or more for women) on college campuses and fraternities as social institutions; and it has left students, families and administrators searching for culpability...

Author: By Daniel M. Suleiman, | Title: Dying for a Drink | 10/6/1997 | See Source »

...there it is. Krueger's death was tragic, but it has happened before and it will happen again, because many students are unfamiliar with their own limits. The onus of preventing alcohol-induced deaths is certainly on administrations to some degree; they must educate students about the risks of consuming large quantities of alcohol and they must encourage responsible drinking. But ultimately, college students must make their own choices. Scott Krueger, now that he's gone, is an example to every current and future college student: if it could happen to him, it could happen...

Author: By Daniel M. Suleiman, | Title: Dying for a Drink | 10/6/1997 | See Source »

Murkeji also said the deaths are tragic because the students will never again be able to experience life's wonders...

Author: By Gregory S. Krauss, CRIMSON STAFF WRITER | Title: MIT Vigil Mourns Deaths | 10/6/1997 | See Source »

...twist, it tells the story of two con-men, Franz and Arthur, and their attempt to work over a young girl, Odile (played by the one and only Anna Karina). One of Godard's lesser known films, it nonetheless embodies the curious mix between word and image, humor and tragic romance, that is so very Godard. Characters are lonely but have no desire to connect to those around them. Awkwardness only occurs within familiar situations. Dialogue is impulsive and witty...

Author: By Lauren M. Mechling and Hanna R. Shell, CRIMSON STAFF WRITERSS | Title: Riding the New Wave: Absolut Godard | 10/3/1997 | See Source »

...most of the zing Shaw wrote into them. This is owing more to McConnell, who makes a convincing transition from querulous selfconsciousness to defiant independence. Bouffier's a little too wooden-faced (a kind of Bob Dole for the stage), and doesn't quite tap into the semi-tragic nature of his character's self-imprisonment, though the contrast still comes through starkly enough when juxtaposed with Eliza's growing self-awareness. Ron Ritchell, as a rather subdued, Dr. Watsonish Colonel Pickering, unfortunately comes off as a gentler but paler copy of Higgins...

Author: By Lynn Y.lee, CRIMSON STAFF WRITER | Title: Shaw's 'Pygmalion': Sparkle and Shade | 10/3/1997 | See Source »

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