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...tribute to Brahms opened with his Tragic Overture in D minor, Op. 81. Though not one of Brahms' most widely played pieces, the overture is by no means dull, beginning with two dramatic chords and followed by the full statement of the main theme. The piece fluctuates between extremes in dynamics, tempo and mood, immediately placing it in the Romantic period...

Author: By Jamie L. Jones, | Title: Hats Off to Brahms: A Musical Tribute | 4/24/1997 | See Source »

While the Tragic Overture was not composed with any particular text in mind, Brahms' sketches for the work indicate that he was probably thinking about Goethe's Faust while writing it. In attempting to discover which "tragedy" inspired the piece, scholars have linked it with the story of Hero and Leander and with Shakespearean tragedy...

Author: By Jamie L. Jones, | Title: Hats Off to Brahms: A Musical Tribute | 4/24/1997 | See Source »

...excesses of Mobutu's corruption might be comical were it not for the tragic consequences his despotism has wreaked upon his countrymen. While Mobutu lounged in his Belgian castle, a Peace Corps survey in 1980 revealed that in a nation that owns one-quarter of the world's diamonds, malnutrition was killing more than one-third of the Zairian population. The U.S. was a key player among the Western nations that helped line Mobutu's coffers. The current overtures of China to the Western marketplace confront the global community with a similar challenge. Let's hope that Washington does...

Author: /time Magazine | Title: Letters: Apr. 14, 1997 | 4/14/1997 | See Source »

Testosterone is the young man's curse and the moviemaker's blessing. It imparts to the male teenager that preoccupying randiness that drives him to adventures and alliances he's going to regret someday--at best with wry embarrassment, at worst with a sense of loss verging on the tragic. Yet those rioting hormones also power tales of the young and restless that can sell profitably to the young and restless--in other words, date movies for the under...

Author: /time Magazine | Title: CINEMA: YOUNG AND RESTLESS | 4/7/1997 | See Source »

...powerful mentor, John Ford, a director whose sentimental pictorialism masked a mean and primitive spirit. Wills devotes almost as much space to him as he does to Wayne, yet never notices that Ford romanticized not far-darting freedom but stolid dutifulness. He and Wayne gave it near tragic dimensions in the great They Were Expendable, a terrible obsessional quality in The Searchers. Twice (in Fort Apache and The Man Who Shot Liberty Valance) they endorsed the creation of elaborate lies in order to lend grandeur to this essentially selfless and military virtue...

Author: /time Magazine | Title: BOOKS: DECONSTRUCTING THE DUKE | 4/7/1997 | See Source »

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