Word: trailer
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...opening scene of "The Client" shows Mark (Brad Renfro) teaching his eight-year-old brother Ricky (David Speck) how to smoke behind a trailer-park outside Memphis. Only a few smokes later, Mark has a chance encounter with the suicidal lawyer, Jerome Clifford (Walter Olkewicz), that sweeps his family into a plot of Mafia intrigue, federal investigation, and a legal battle who outcome may determine the family's future. Sound like a compelling beginning...
...situation in simple terms and "to try to make the family agree with us." Muraskas, who served as the girls' godfather, says Kenny Lakeberg's drug problems and the nature of the family entered into his thinking: "You have to ask yourself if chain-smoking parents in a trailer park is the most conducive environment for a sick child." O'Neill feels strongly that such considerations have no bearing on the decision to offer treatment; he also disputes the notion that the cost of Angela's care was out of line. Dr. Alan Fleischman, professor of pediatrics at New York...
...church and his community, who contracts AIDS through a blood transfusion and then passes it on to his devoted wife, the two of them ending up frightened and alone in a huge medical center, reading The Magic Mountain to each other. Or Vickie, the chattery, brawling woman from the trailer park who gets infected by her husband and comes at last to feel that AIDS has given her a purpose in her life, as she signs up to be a nurse...
...imprecise. His penchant for old sweaters and big berets helped foster a folksy image that made him popular with his troops and the public. Behind the image, however, he was a thoroughly professional soldier who paid attention to almost nothing but his profession, living and eating alone in a trailer in the midst of his army. With an ego nearly as large as General Douglas MacArthur's, he was good at public relations but bad at human relations...
...television, create a sort of virtual reality in which no one is quite accountable and consequences can be annulled by changing the channel -- or adducing a childhood trauma. That powerful universe of sensational illusion has increasingly come to determine the moral atmosphere of America. The virtual world of trailer-park daytime television even has its academic counterpart in structuralism and deconstruction, whose practitioners sever reality from "text" and thereby render everything vulnerable to the most subjective, onanistic reading...