Word: trailering
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Dates: during 2000-2009
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...Pencil-thin princess waists are not real. And it's possible to look good without butt-length, straight hair. I'm having a hard time selling my daughter on that last bit. For one thing, she refuses to believe that Tiana has curly hair, despite numerous viewings of the trailer. "She's wearing a wig?" she suggested...
...although I'd expressly planned not to take her to see the new Disney movie, I've switched course. My daughter is curious about the curl factor: How much is there? And is it more on the wavy side or full-blown curly? The trailer offers little insight. Perhaps that's intentional. What I'm more interested in is that the film's website describes Tiana as a "smart, tough and determined" waitress from New Orleans who "can hold down three jobs and still have time to dream." That sounds like a princess I could curl up with...
...same crap you’ve seen over, and over, and over again.” Coupling his ability to mimic LaFontaine to a repertoire of actor imitations, from Keanu Reeves to Al Pacino, Francisco is perhaps the only stand-up comedian who can act out an entire movie trailer live. His most famous faux cinematic concoction is “Little Tortilla Boy,” an action flick starring Arnold Schwarzenegger as a street vendor trying to protect his tortilla business from the mob. The “trailer” ends with Francisco beatboxing a pounding bass...
Revolving around the date of Dec. 21, 2012, the supposed end of the Mayan calendar, “2012” shows few signs of being any different from any of the other disaster films to have graced the cinema marquee in the past half decade or so. The trailer is almost archetypal: towering oceanic waves flatten West Coast metropolises, impossibly schismatic earthquakes swallow vehicles in urban centers, and all of humanity resorts to quasi-primal instincts while still maintaining a sense of decency and hope in times of bleak despair. We all know how this ends, of course: Mankind...
...with the spine-numbing pleasure of Paranormal Activity in many moviegoers' minds, The Fourth Kind benefitted from a beguilingly creepy ad campaign, giving glimpses of alien possession. Audiences didn't feel the same urgency, seven weeks before Christmas, to see the 467th version of A Christmas Carol, whose trailer emphasized hectic, hurtful chase scenes over the Scroogean character comedy and hearth-and-heart sentiment. As for Precious, $100,000 a screen is a feat accomplished only twice before (by Dreamgirls and Brokeback Mountain), but the movie had enormous promotion from executive producer Oprah Winfrey to complement its sheaf of enthusiastic...