Search Details

Word: trained (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...Milk Train Doesn't Stop Here Anymore, partially rewritten by Tennessee Williams, stopped on Broadway for the second time within a year in a rare and tenacious attempt to better a badly received, short-run play. But it is not better. The new version is weaker, more discursive and less dramatic. After five performances it closed...

Author: /time Magazine | Title: Theater: The Second Mrs. Goforth | 1/10/1964 | See Source »

...Milk Train, Tennessee Williams is concerned with ultimate things-the meaning of life, death and God-and the play has the bedrock interest that man's fate always holds for man. These fundamental questions demand answers, and Williams has only been able to give them echoes...

Author: /time Magazine | Title: Theater: The Second Mrs. Goforth | 1/10/1964 | See Source »

...Rehearsal (it lost $40,000). Other foldees: Terence Rattigan's Man and Boy ($90,000 down), The Irregular Verb to Love ($35,000), Love and Kisses ($100,000), Double Dublin ($45,000). This crop was quickly followed by Tennessee Williams' new version of The Milk Train Doesn't Stop Here Any More...

Author: /time Magazine | Title: Broadway: Seven Nicked Nuts | 1/10/1964 | See Source »

...There." Another said to have Ike's blessing and encouragement was Ambassador to South Viet Nam Henry Cabot Lodge, and a public movement to nominate him started last week. New York commuters and Christmas shoppers riding the New Haven Railroad found on each train seat a copy of a 2,000-word article full of "The man who" statements about Lodge-who "stands head and shoulders above the field. He is not only qualified to be President, he looks like a President." Lodge-for-President headquarters were scheduled to be opened in Boston this month by a group...

Author: /time Magazine | Title: Republicans: After the Moratorium | 1/3/1964 | See Source »

...plays over them to orchestrate speeches and scenes like music, so that the playgoer feels that he is experiencing the thematic flow of the hero's life -lyrical, staccato, abrasive, brassy and blue. There are remarkable impressionistic renderings of states of feeling: the disembodied rush of a transcontinental train sucked through the vacuum of night, the empty-souled writhings of some Venice Beach bopniks. But in the end, the hero still seems incapable of drawing the bow of manhood...

Author: /time Magazine | Title: Theater: Off-Broadway, By Halves | 1/3/1964 | See Source »

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