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...This is all happening because my father didn't buy me a train...

Author: /time Magazine | Title: Verbatim | 11/16/2009 | See Source »

...Claireece Precious Jones, an obese and pregnant teenager whose life so far has been filled with nothing but unrelenting private abuse and systemic public neglect. But to be the moviegoer sniveling over Precious' miseries seemed akin to being the bystander engaging in histrionics at the scene of a train wreck instead of trying to do something, anything. (See the top 10 movies...

Author: /time Magazine | Title: Precious Review: Too Powerful for Tears | 11/16/2009 | See Source »

...trying out a new musical style: mixing classical with the blues. On Nov. 19, the Atlanta Symphony Orchestra will premier Blues Symphony, Marsalis' first work composed exclusively for orchestra. It celebrates the blues through moments in American history and, in Marsalis' words, "incorporates the call-and-responses, train whistles, stomp-down grooves, big-city complexities and down-home idiosyncrasies of Afro-American and American music." Ahead of the symphony's premiere, the jazz master spoke with TIME about working with an orchestra, the significance of the blues and why he finds rap music repellent...

Author: /time Magazine | Title: Jazz Musician Wynton Marsalis | 11/13/2009 | See Source »

Unlike CO2, which can hang around in the atmosphere for centuries - CO2 that was emitted by the first coal-powered train is probably still in the air, warming the planet - black carbon has a relatively brief life span. It remains just a few weeks in the air before it falls to earth. That's key, because if the world could reduce black carbon emissions soon, it could help blunt warming almost instantly. "You can wait a week or a month and the totals in the atmosphere can be significantly different," says Eric Wilcox, an atmospheric scientist with NASA. Meanwhile...

Author: /time Magazine | Title: Black Carbon: An Overlooked Climate Factor | 11/13/2009 | See Source »

...here, she overpowers them, such as they are, with pyrotechnics. The result is impressive, perhaps, but certainly not enjoyable. Nor can Underwood be excused for the poor quality of the songs, as she is credited as a co-writer on seven of them. The album is a continuous lyrical train wreck, befouling every subject it touches, from love—“He is good, so good / And he treats your little girl like a real man should” (from “Mama’s Song”)—to changing the world...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

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