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Word: trait (lookup in dictionary) (lookup stats)
Dates: during 2010-2019
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James C. Fuller ’10 walks like a ballet dancer, bouncing up on the balls of his feet with each step, even in everyday tennis shoes. In his dancing shoes he is even more airborne, a trait recently celebrated when the Office for the Arts awarded him the Suzanne Farrell Dance Award...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: James Fuller ’10 | 4/27/2010 | See Source »

Which character trait is the most important secret to your success? -Daniel Kronlid, Umea, Sweden I would say curiosity and the desire to be personally challenged. Those two things are what drive me. (See 10 things you need to know about Avatar at Techland.com...

Author: /time Magazine | Title: 10 Questions for James Cameron | 3/4/2010 | See Source »

Audiard is an expert at using this trait of Rahim’s character early in the film to capture the empathy, if not sympathy, of the audience. As El Djebena prepares for his first hit to gain protection from the Corsicans, he sits in front of a mirror trying to teach himself how to hide a razorblade in the side of his mouth, and his gums begin to bleed. The look of agonizing determination in Rahim’s face at this and many moments in the film evoke a documentary authenticity. The typically circuitous plot twists...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: A Prophet | 3/2/2010 | See Source »

...desert, researchers said: three men had two copies of variants associated with physical prowess and faster sprint performance, and one had a variant for a cellular mechanism that enables a person to retain salt and water - a benefit in a hot, dry climate. Yet another newly discovered genetic trait involved the ability to taste bitter chemicals, which could help hunter-gatherers avoid toxic plants...

Author: /time Magazine | Title: What Secrets Lie in Archbishop Tutu's Genome? | 2/18/2010 | See Source »

According to psychoanalytic film critics, violence is a characteristic trait of photography and cinema, as evident in the very language of “aiming” a camera and “shooting” an image. Enmeshed in the sexual economy of the gaze, vision too exercises a system of control over women’s bodies. Positioning the self against an inassimilable (female) other, the eye serves as an explicit instrument of objectification and mastery. As feminist Luce Irigaray theorizes, the supremacy of looking over all other sensory experiences—hearing, smelling, tasting, touching?...

Author: By Courtney A. Fiske | Title: Bruised Bodies, Silver Screens | 2/9/2010 | See Source »

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