Word: tramata
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Dates: during 1950-1959
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...that she may get too many soubrette roles. She knows that her voice has not enough weight, dramatic color and power for such heavyweight parts as Aïda, but some day she would like a try at such lyric roles as the consumptive courtesan Violetta in La Tramata, or the heart-wrecker, Manon. Bing has promised her a Mimi (the consumptive heroine of Bohème) next month...
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