Word: trampler
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...stricken with a double vision and a double morality, glorifying the society they were so heatedly exposing, exposing the society they could not resist glorifying." He wrote the character of Sammy Glick, his novel's screenwriter antihero, as such a crass schemer, appropriator of other men's work and trampler of decency that no one could possibly mistake him for a role model. Yet Sammy became just that for many a brash entrepreneur in Hollywood and on Wall Street. Schulberg later said he was pained that Glick, reputedly based on writer-producer Jerry Wald, had become a template...
...Friday night, Trampler joined Metamorphosen for both Vivaldi's "Concerto No. 3 for Viola d'Amore" and Benjamin Britten's "Lachrymae." While the group itself has evolved, Trampler underwent a true transformation in his two solo outings...
...absence of balance and a conspicuous lack of preparedness marked the Vivaldi. Trampler could only elicit a thin, bare sound from his period instrument even in the most declamatory of the solo passages. Metamorphosen dutifully played the accompaniment--an unusually sharp and pointed one--at exceedingly low volume while Trampler edged along, often missing articulations and intonations. The tuttis, however, brought the booming force of more modern string instruments to bear against Trampler's tiny sound in an almost embarrassing contrast...
...Britten that followed effectively saved the day. Trampler, clearly more comfortable with a familiar piece and his fabled gigantic viola, brought conviction and more strength (though even more couldn't have hurt) to the dominating solo part...
Rather than playing a strict accompaniment, Metamorphosen took more of an environmental role. At times, they supplied the mountainous backdrop through which Trampler's determined melodies echoed. In other sections, such as the repeated ascensions that lead to the piece's towering climax, they became a rain-swept storm, resisting or propelling the soloist capriciously...