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Word: trampler (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...violist Walter Trampler's association with Yoo began when he judged Yoo at an international violin competition. Since then, the two have collaborated several times, including a performance of Mozart's "Sinfonia Concertante" with the Bach Society Orchestra...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...Friday night, Trampler joined Metamorphosen for both Vivaldi's "Concerto No. 3 for Viola d'Amore" and Benjamin Britten's "Lachrymae." While the group itself has evolved, Trampler underwent a true transformation in his two solo outings...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...absence of balance and a conspicuous lack of preparedness marked the Vivaldi. Trampler could only elicit a thin, bare sound from his period instrument even in the most declamatory of the solo passages. Metamorphosen dutifully played the accompaniment--an unusually sharp and pointed one--at exceedingly low volume while Trampler edged along, often missing articulations and intonations. The tuttis, however, brought the booming force of more modern string instruments to bear against Trampler's tiny sound in an almost embarrassing contrast...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...Britten that followed effectively saved the day. Trampler, clearly more comfortable with a familiar piece and his fabled gigantic viola, brought conviction and more strength (though even more couldn't have hurt) to the dominating solo part...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

Rather than playing a strict accompaniment, Metamorphosen took more of an environmental role. At times, they supplied the mountainous backdrop through which Trampler's determined melodies echoed. In other sections, such as the repeated ascensions that lead to the piece's towering climax, they became a rain-swept storm, resisting or propelling the soloist capriciously...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

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