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...violist Walter Trampler's association with Yoo began when he judged Yoo at an international violin competition. Since then, the two have collaborated several times, including a performance of Mozart's "Sinfonia Concertante" with the Bach Society Orchestra...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

Mozart: The Six Viola Quintets (Juilliard Quartet with John Graham, second viola, Columbia; 3 LPs). The best complete set of these masterpieces since the recording by the Budapest Quartet with Walter Trampler. The playing is supple and urgent, fully equal to the symphonic sweep of the great C major quintet as well as the tragic stoicism of the G minor. What it sometimes misses is the mystery of Mozart's luminous, godlike simplicity. But then that is the quality in Mozart that Artur Schnabel described as "too easy for children and too difficult for artists...

Author: /time Magazine | Title: Music: Sounds for a Winter Night | 1/14/1980 | See Source »

...Major, opus 81. Czechoslovakia may be under someone's thumb but Czech music is very much alive. This gorgeous piece was very well played. The cellist distinguished himself with a beautiful, full, resonant opening and the ensemble played with much more rhythmic unity and dynamic cohesion. Walter Trampler was superb throughout the Dvorak. There was an evident feeling for the ebb and flow of the beautiful melodies, lines which sing and soar over the often complex texture of this magnificent quintet. The new quality in their playing was the ability to sustain an idea to its conclusion. The "Dumka" section...

Author: By Daniel Robinson, MONDAY, JULY 28 AT SANDERS | Title: Schneider at Sanders | 8/1/1969 | See Source »

...third for stereo. Haydn, Schubert and Brahms were staples as well, and moderns like Bartok, Milhaud and Hindemith were regularly included. To everything they played, the foursome brought a Toscanini-like elegance of outline within which the music pulsed with expressive passion. Says Violist Walter Trampler, their "fifth man" in quintet performances since 1955: "They had temperament and fire. Some people have lots of that, but they get carried away. The Budapest players were always in control...

Author: /time Magazine | Title: Chamber Music: Farewell to the Budapest | 1/10/1969 | See Source »

...took 22 years before Roisman and Mischa addressed each other by their first names, and Alexander to this day has never attempted such informality with his colleagues Roisman or Kroyt. Says Seattle Symphony Conductor Milton Katims, who preceded Trampler as the group's extra violist: "It was like four married people trying to keep their relationship fresh and spontaneous...

Author: /time Magazine | Title: Chamber Music: Farewell to the Budapest | 1/10/1969 | See Source »

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