Word: tranchin
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...early 1970s, two film students in the VES department, Rob W. Tranchin ’74 and Allen D. Moore ’74, were wondering the same thing...
They resolved the question later, as both went on to become documentary filmmakers, with Tranchin working for PBS in Texas and Moore in Maryland. In 1999, they received a project proposal from another former classmate, Rob D. Eustis ’78. They were to direct a film about the painter with the enormous palette from the third floor of the Carpenter Center, whom Tranchin had admired but who was only vaguely familiar to Moore...
...have to hold a brush,” he says. “It’s part of my daily routine.” Tranchin and Moore understood this view of art and its connection to Alcalay’s past, which emerges in their interviews with the painter. “All the various moments of his life suddenly become milestones,” Moore said. “That’s how the structure of the film evolved...
Decades after his initiation into the world of self-exploration, Alcalay still has much to discover and express. Alcalay says that Tranchin and Moore should not be short of material to document in their biography, and the film “should be another couple of hours...
Petric's "lack of manners" is legendary. Often he will interrupt section leaders in his own course, and berate them for missing small details. To some, this quality of aggressive bluntness makes Petric exasperating; others find it endearing. As section leader Robert Tranchin explains it, Petric applies the same rigorous standards to his own work as he applies to others...