Word: trane
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...burning through registers in a controlled fury. To listen to these sessions is to experience some of the shock and awe that Coltrane induced in audiences at the time. After witnessing one of Coltrane's gigs at the Half Note, Miles Davis asked, "What is that he's playing?" Trane still inspires wonder...
...soft ballad "A Search for Peace" hushed the room in the first set, allowing the sax to whisper melodies in the silence. Next came "Giant Steps," one of the most difficult compositions in all of jazz. "Giant Steps" began slowly--as a tribute to the original 'Trane. The audience could not believe the rapid chords that blazed through the air. As the song ended, bodies that sat at the edges of their seats languidly slouched back, fatigued and in awe. A buzz of recuperation and conversation filled intermission, as a humble figure in black began mixing with the crowd...
...next tune, "Chasin' the Trane," is a contrast in several ways: first, it is played in a trio format with just horn, bass and drums. The song's standard 12-bar blues form also contrasts with the exotic eastern style of "India." Without a written melody or a pianist to play chords, "Chasin'" has a uniquely spare sound, and the second version is perhaps the most prominent and audacious of the tracks on the collection. Whether this performance comes off as one of the finest examples of spontaneous musical invention ever or as 15 minutes of earsplitting squeaks, is heavily...
What made Coltrane great? For some it was his sheer lung power and gale-wind force. "'Trane was the loudest, fastest saxophonist I've ever heard...he was possessed when he put that horn in his mouth," said trumpeter Miles Davis, who made about a dozen albums with him. For others it was his highly textured "sheets of sound," a rapid-fire, rhythmic attack that conjured up aural images of runaway trains, meteor showers and volcanic eruptions. Still others point to Coltrane's importance in bringing African and Eastern influences to jazz and helping bridge the worlds of jazz...
...documents the high ambition of Coltrane's work at the time, when he doubled on tenor and soprano sax, tested split tones, wrote his own beautifully complex compositions and experimented with long free-form solos. Also included is a detailed booklet of essays and personal reminiscences. (Maybe too detailed: 'Trane loved cooking oatmeal and hot chocolate, we learn from his cousin Mary, but "didn't like any crust on the white part" of his eggs.) For Coltrane fans the outtakes are a particular revelation--not just for the bits of studio banter (Coltrane and his sidemen are heard laughing about...