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Nobody in the movie business, where negative thinking seldom intrudes, can remember a summer so financially successful. United Artists, a subsidiary of the San Francisco conglomerate Transamerica, is scooping up wads of money from Rocky, which has grossed more than $100 million, Network ($30 million), The Pink Panther-Strikes Again ($40 million) and Woody Allen's Annie Hall, which took in $14 million in only seven weeks. Competitors are openly envious. Sighs Charles Bluhdorn, chairman of Gulf + Western, which operates Paramount Pictures: "I saw the first 15 minutes of Rocky, and I said, 'Why the hell didn...

Author: /time Magazine | Title: STOCK MARKET: The Star Wars Explosion | 6/27/1977 | See Source »

...towers. Chicago, the birthplace of the skyscraper, has set the pace. It has tapering buildings, round ones and free forms; dozens have been completed in the '70s. Over them all broods the 110-story Sears Tower, with its pinwheeling arrangement of setbacks. In San Francisco, the 48-story Transamerica building looks like a cross between an oil derrick and the Pyramid of Cheops. The latest statement-if not the last word-is New York's: its shimmering 34-story One United Nations Plaza, designed by Architects Roche/Dinkeloo and opened last month, has taken a form as abstract...

Author: /time Magazine | Title: Environment: Downtown Is Looking Up | 7/5/1976 | See Source »

...course, is not always-or even usually -borne by the studio. De Laurentiis, Levine and Coppola, for example, are independent producers who raise much of the production cost themselves; the studios put up part of the money and take care of distribution. Thus United Artists, a subsidiary of Transamerica Corp., will pay only 20% of the cost of producing the two war movies. Indeed, studios are generally loath to spend as liberally as in the era of Cleopatra. Says MCA President Sidney Sheinberg: "If Jaws had cost $20 million, we would not have made...

Author: /time Magazine | Title: MOVIES,PERSONALITY: Reaching for the Brass Ring | 5/31/1976 | See Source »

...were startled by the apparent lack of security precautions. They flashed their tickets but underwent no check against guest lists, no opening of purses or X-raying of briefcases. "There's more security on an airliner than there was for the President at that moment," recalled John Chase, a Transamerica Corp. vice president. A perspiring Ford pushed through the milling guests...

Author: /time Magazine | Title: THE SHOOTING: FORD'S SECOND CLOSE CALL | 10/6/1975 | See Source »

...whole movie industry has changed dramatically since Aubrey joined it eight years ago. Several of the six remaining major Hollywood companies have become mere subsidiaries of profit-directed conglomerates like Gulf & Western Industries (Paramount) and Transamerica Corp. (United Artists). High-cost extravaganzas have become as rare as singing cowboys and have been replaced by Aubrey's genre: lowbudget, high-profit black films (Cleopatra Jones) and Kung Fu films (Fists of Fury). What future role Jim Aubrey may play in the new Hollywood that he helped shape is a question that will have to wait for his announcement of what...

Author: /time Magazine | Title: EXECUTIVES: The Lion and the Cobra | 11/12/1973 | See Source »

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