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La Dolce Vita (in Italian). Federico Fellini's vast (three hours) dramatization of the Apocalypse as a modern saturnalia wallows in boredom, but also develops episodes of transcendent moral horror.

Author: /time Magazine | Title: Time Listings: May 5, 1961 | 5/5/1961 | See Source »

La Dolce Vita (in Italian). Federico Fellini's vast (three hours) dramatization of the Apocalypse as a modern saturnalia wallows in boredom, but also develops episodes of transcendent moral horror.

Author: /time Magazine | Title: Cinema: Apr. 28, 1961 | 4/28/1961 | See Source »

Technique for Itself. To the early Christian, man's telos, according to Tillich was the drive to rise from "the universe of finitude and guilt" to reunion with God-the "ultimate reality, the transcendent ground" of all existence. Christianity was suspicious of science-especially physics-"not because of its...

Author: /time Magazine | Title: Religion: The Inner Aim | 4/21/1961 | See Source »

Quietly the priest begins to tell him the story of the thief on the cross, of how he believed in Christ, of how Christ loved him and promised him that in death he would find eternal life-"And he was a convict just like you." Suddenly, wonderfully, a new dimension...

Author: /time Magazine | Title: Cinema: God in a Gas Chamber | 3/3/1961 | See Source »

Among the Romans, where power was frequently the only truth, superficial appearance was reality. Christianity restored the art of transcendent hidden meanings. With impressive erudition, Malraux traces the sacerdotal role of cathedral, mosaic and icon and the evolution of Christian art from the austere, stylized Byzantine Pantocrators to the benign...

Author: /time Magazine | Title: Books: Ars ad Deorum Gloriam | 11/14/1960 | See Source »

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