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Within twelve hours after the Supreme Court voided NRA last fortnight the arch-Republican New York Herald Tribune and Los Angeles Times removed the Blue Eagle from their mastheads. Within 24 hours the Boston Transcript, St. Louis Post-Dispatch, Detroit Free Press, many another anti-New Deal newspaper did likewise. Hearst's Chicago Herald & Examiner hoisted red-white-&-blue flags in the Eagle's place. The New York Times and Scripps-Howard dailies everywhere left their Eagles flying. The lusty, liberal tabloid New York Daily News, first in the city to hoist the Eagle, ostentatiously hauled it down...
...West 52nd St. Last week Hearstpaper readers were titillated, shocked or disgusted by a six-instalment tale of misconduct between Proprietor Jack Kriendler and Mrs. Dorothy ("Dolly") Gaddess, wife of Socialite-Banker Norris Barrymore Gaddess of Greenwich, Conn. Somehow Hearst's Evening Journal had got hold of the transcript of Husband Gaddess' divorce proceedings, which were heard by a horrified referee in private chambers. It included 443 dictaphone records of telephone conversations between Jack & Mrs. Gaddess. The referee considered them "lewd in thought beyond belief . . . greater evidence of depravity than the actual commission of the acts." With insinuations...
...Berlin audience cheered 15 minutes when the excerpts were played there last November. Boston's applause was perfunctory. In the Herald the music was pronounced "incredibly thick and often excessively boring." To the Transcript Berg was "a composer of the first rank, whose speech shall yet be understood by those who scoff...
...accepts the jury's opinion," agreed the Buffalo Courier & Express. "The nail holes were not mistaken!" exulted the Pittsburgh Press. The Philadelphia Inquirer boomed: "Justice well deserved has come to the man Hauptmann!" To various journals the verdict was: "logical" (Boston Transcript), "healthy" (Knoxville Journal), "salutary" (Albany News), "memorable" (Minneapolis Daily Sun), "in accord with law and fact'' (Detroit Free Press...
When Poet-Critic Louis Untermeyer went through Dr. Merrill Moore's filing cabinet, he counted approximately 25,000 idiomatic, hybrid or "American" sonnets. Some were bad, some good; some had been printed in Walter Winchell's column, some had appeared in the Boston Evening Transcript, some in Harriet Monroe's Poetry: A Magazine oj Verse. To conceive of the tremendous industry that could turn out 25,000 sonnets, says Mr. Untermeyer, "one must think of the author as a pundit, an immured octogenarian, devoting all his hours to the fashioning and perfecting of his flexible models...