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...Mencken several years ago has apparently been forgotten. But it does not weep alone. Book sellers and publishers whose wares it was the custom of the society to call to the attention of the public will have to seek other means of attaining the hallowed pages of the Evening Transcript. And what is worse, the ready spice of polite dinner conversations will now be salted down with the trivialities of unassisted literary search. As for the adolescents of the city, they will again be reduced to a meticulous investigation of the dictionary and other of the standard and immemorial stimuli...
...charge of the Pynson Printers, New York; Lewis C. Gandy, typographic director, New York Monotype Composition Company, New York; Nelson S. Greensfelder, advertising manager, Hercules Powder Company, Wilmington, Delaware; Joseph B. Mills, publicity director, J. L. Hudson Company, department store, Detroit; William F. Rogers, advertising manager, Boston Evening Transcript, Boston; Thomas L. Ryan, Pedlar and Ryan, Incorporated, advertising agency, New York; Guy Smith, manager of advertising and research, Libby, McNeil and Libby, Chicago; P. L. Thomson '02, publicity manager, Western Electric Company, New York; Richard J. Walsh '07, president. The John Day Co., printers, New York; R. R. Wasson, treasurer...
...short and stocky gentleman, emerging in evening clothes from the ante room . . . looked neither to right nor left, took two at a time the steps leading to the stage . . . Arthur Honegger, arisen, significant, acknowledged figure of the new generation." So. last week, did H. T. Parker of the Boston Transcript appraise Boston's guest conductor. Thus are adjectives made to grow, for five years ago Honegger had been just a precocious fellow who at seven had composed two operas in the treble clef, as he knew no other, at eleven some 30 sonatas, in his twenties...
...rest of the issue, the editorial and paragraph leaders have about them a sort of musty Transcript atmosphere of polite futility and the advertisements are very nice...
Another criticism contemporary with the unveiling of the two murals, appearing in the Boston Evening Transcript stated. "...And indeed here are found in a marked degree those qualities which make a mural painting great--nobility of subject together with able and decorative handling in expressing it fully. In short a fine and strong conception in terms of color and light and shade, which make in themselves a beautiful decoration of a given surface...