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...describes it as a weight-loss diet whose user can shed up to 5 lbs. a week. Guérard is building on the culinary ideology of la nouvelle cuisine, which began to transform grande cuisine some ten years ago. The high priest of the new way was Paul Bocuse, who brought to French cooking a new emphasis on freshness and simplicity (TIME, April 9, 1973)-and in 1975 received the Legion of Honor from President Giscard d'Estaing. The orgiastic bouffe-meals that would consume long hours of relentless, if not hoggish stuffing of the gullet...

Author: /time Magazine | Title: Modern Living: Hold the Butter! Dam the Cream! | 3/29/1976 | See Source »

Rather than rely on technical virtuosity, Chassler evolves her own discipline, the technique of making one's self open to one's self. She trains the dancer's body to put itself into a state of attentive neutrality, ready to receive, transform and make concrete mental images--"calling out" or "the body falls up," Chassler's working concept last fall. Like the surrealist's pen taking down words from a will other than the poet's conscious self, the body becomes a perfect channel. She becomes the words themselves...

Author: By Susan A. Manning, | Title: Lines Almost Spoken | 3/18/1976 | See Source »

...laws of time and motion. The dancer is also an object in its own right for Nikolais, an immobile sculptural form no longer calling attention to the dimensions of space but to its own three-dimensionality. Noumenon takes off from this point, exploring how body-enveloping stretch material can transform the dancer into a frozen form in space. Here three dancers become towering Egyptian mummies. At the last moment, they clutch their necks, their features for the first time screaming through the veils...

Author: By Susan A. Manning, | Title: Under the Magic L'antern | 3/11/1976 | See Source »

Actor Jonathan Epstein as the Pastor takes full advantage of his newly-created role of pariah with brilliant results. Kolzak's adaptation enables Epstein to seize a once shallow caricature of a clergyman and transform it into a complex, brooding performance. Karen Ross is a good Mrs. Alving, adding a layer of sophisticated and casual confidence to Ibsen's troubled widow. Stephen Kolzak as the tortured painter Oswald gives an excellent performance; his harrowing breakdown is the one scene where emotion transcends Ibsen's carefully orchestrated social commentaries. Sidney Atwood as Engstrand and Helena Snow as the ambitious Regina handle...

Author: By R.e. Liebmann, | Title: An Affable 'Ghosts' | 3/4/1976 | See Source »

...piece of psychological reporting, about the ways two people rely on each other and torture each other. But all we see - perhaps all anyone could ever see - are the bitter ness and the desperation, not how and why they began. Without the powers of art to enrich and transform, Grey Gardens remains an aimless act of ruptured privacy and an exploitation...

Author: /time Magazine | Title: Cinema: Slumming Expedition | 3/1/1976 | See Source »

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