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...most carefully and creatively designed public work of its size in the country. Moses personally selected all the building materials, and many of the smaller touches--wrought-iron direction markers, for example--came from his imagination. But it was one thing to give Moses unlimited power to transform a deserted sandbar like Jones Beach and another to allow him to extend it over previously inhabited regions. Moses's expressways tore the guts out of neighborhoods and his urban renewal projects forced a quarter of a million New Yorkers out of their homes...

Author: By Paul K. Rowe, | Title: Moses And Monolithism | 8/9/1974 | See Source »

...centuries it was a habit of Popes to collect modern religious art. Up to the papacy of Urban VIII, who gave Bernini carte blanche to transform the face of Rome, the Vatican had a use for the best art of its time: magnificence as propaganda. The results, strung through exhausting miles of galleries and culminating in Raphael's stanze and Michelangelo's Sistine frescoes, fill the Vatican Museum. But this lofty tradition of patronage ebbed away, and by 1900 most official religious art was stranded in a sludge of gaudy plaster piety. With the exception of the gloomy...

Author: /time Magazine | Title: Art: Labyrinth of Kitsch | 8/5/1974 | See Source »

Well they might. Earlier, LeRoy persuaded Hardwicke to put up $1.5 million for half ownership of a Manhattan café converted from a theater that LeRoy had acquired so he could be a writer, director and producer. He wanted to transform the cafe into a restaurant where he would "create the sense of spectacle." He did, and Maxwell's Plum is now the paragon of Manhattan's singles spots, earning a tidy 13% profit on a yearly gross of about $4.5 million, and delivering LeRoy a salary of more than $200,000. That leaves the 39-year...

Author: /time Magazine | Title: Business: EYECATCHERS | 7/22/1974 | See Source »

...basically nebbish play. Noel Coward, the first English playwright to introduce Henry Ford's assembly line production techniques to theater, wrote the comedy in 1930 while in Shanghai seemingly to pose a challenge: Who could take his featherweight literary sedative about marriage and sex in English high society and transform it into an exciting and riotous evening's entertainment? The Tufts Summer Theater company, as an exercise in dramatic machismo, has taken up the gauntlet, but to what avail...

Author: By Martin Kernberg, | Title: Taking Up a Coward's Gauntlet | 7/9/1974 | See Source »

Maeve Brennan is the kind of writer who can transform the arrival of a sofa in a lower-middle-class Dublin household or the cleaning of a carpet (one with big pink roses on it) into an extraordinary celebration of family love. She does this by a steady accumulation of detail and alternate flashes of passionate statement and raw insight. The accomplishment is formidable-something few writers attempt without sounding precious, dull, or both...

Author: /time Magazine | Title: Books: Moments of Recognition | 7/1/1974 | See Source »

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