Word: transportations
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...electronic supply industries, with 400 new factories having been built in the past five years alone. And the expansion of exports to Europe and the U.S. has improved local quality control and raised labor and industrial standards in the region. Signs of prosperity are everywhere as the city's transport infrastructure is overhauled, and locals begin to invest in new homes and cars...
...rightly fear the one dollar cost of beers at our tailgate this year. Who knows if you’ll ever get a job? It doesn’t help matters that your Council of Masters strives to shield you from the light by ceasing to provide shuttles to transport you from your misery. But keep your chins up; Harvard has a charitable side. Despite having to rummage aimlessly through your wasteland and mix with your lot the night before last year’s game, free parties await you on Friday night...
...decision to revoke the security access badges of 72 workers at Paris' Charles de Gaulle airport was presented as part of an effort to identify and eliminate potential terror risks at the heart of one of Europe ' s largest transport hubs. But skeptical voices question whether politics influenced the decision. Deputy prefect in charge of security, Jacques Lebrot, told the media he had acted on the basis of a year-long intelligence inquiry that had identified the workers as regulars of fundamentalist mosques, acquaintances of suspected radicals, or travelers to such Islamist hot spots as Pakistan, Afghanistan and Saudi Arabia...
...dilapidated bus, performing in small villages along the way. The other two films take place in Russia. “Bread Day” focuses on a town outside St. Petersburg that has been all but abandoned, with only a few pensioners left who every week must transport a railway car full of bread from a junction two hours away, pushing it home by hand and consequently contending with the disagreeable bread seller. “In the Dark,” the only one of the films that takes place in a city, depicts a blind man living...
...always apparent where the audience should be looking, but the spectacle is so rich that it hardly seems to matter. Costume and set designer Nicholas Georgiadis was reportedly influenced by Goya. The black costumes of the matadors and red shawls of the women in Act I effectively transport the audience to a lively Spanish tavern. In Act II, however, the Spanish references are completely lost on the audience—the Dryads wear white sparkling numbers that look more appropriate for “Swan Lake” than a medieval Spanish setting. The grand set changes from scene...