Word: traps
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When Woody Allen takes a brave, unhesitating step forward, it is only to tumble through one of life's trap doors. He is a clown who pummels himself with his own pig bladder, an incarnation of the schlemiel, a born super-stupe...
Protesting his final exile to St. Helena, Napoleon declared: "I appeal to history." Last week a guide in Napoleon's birthplace in Ajaccio, taking some liberties with that history, described a movable plank in the floor as "the trap door through which Napoleon had to escape from his admirers when he returned from Egypt." One visitor pointed out that on an earlier visit he had been told Napoleon had used the trap door to escape his enemies, who burned down the house. The guide agreed. "Yes, that's what we used to say, but they've changed...
...collective security would be successful for the nations of the Asian periphery. Pakistan's Yahya Khan wanted to buy new arms from the U.S., but Nixon could only tell him that the matter was under review in Washington. The government-lining Pakistan Times rejected collective security as a trap that might embroil the country in big-power conflicts, and announced that the "special" U.S.-Pakistan relationship of the 1950s "cannot be revived." Nixon later reflected that relations between the Indians and the Pakistanis are no better now than they were when he first visited there in 1953, as Vice...
...least three other men drawn to the fire and the scene of Replogle's crime. Game Warden Bobby McGill pursues Replogle with the vengeance and self-righteousness of a whore gone straight. He had himself been a famous poacher until he was injured in a fall while trapping beaver illegally; the injury has forced him into honest work and accepting wages from a society that he sees as basically corrupt. Doc Mechling, a wealthy physician from the nearby town of Sixes, refuses to help trap the poacher because he believes that one man's guilt is inconsequential compared...
...next scene at school shows the regimentation of German education. The classroom's chaos before Jannings' arrival yields to rigidity when he sits at his desk; but a prank subverts his authority and takes him to the entertainment district that night. Here huge shadows and trap-like streets, in the finest tradition of German Expressionism, stress his fears of this setting, fears augmented inside Dietrich's dressing room by a clown and a "professor" of magic who implicitly mock Jannings' position. The impingement of settings and objects on Jannings' security climaxes in a song sequence where Jannings seated...