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Traps and games abound in Les Creatures, and if you have found yourself puzzling over the probable significance of the game described above you have already fallen into one of them. Les Creatures is a film of instant significances, a jumble of insane metaphors. Anyone who takes it at face...

Author: By Terry CURTIS Fox, | Title: Les Creatures | 7/25/1969 | See Source »

MAX OPHULS' camera motions create the famous 'romanticism' of his films. The pans and traveling shots of The Exile (1947) don't just follow his characters; they give an extraordinary grace and sweep to the characters' motion through their physical surroundings. The shift from a male to a female protagonist...

Author: By Mike Prokosch, | Title: La Vie Extraordinaire de Lola Montes | 7/8/1969 | See Source »

Slightly pedantic word play, cultural booby traps, brisk leaps from the Bard of Avon to the Good Ship Lollipop, elegant divertissements for all occasions ?such things can be expected of Nabokov. But that is far from all. Russian by birth, a U.S. citizen who now lives in Switzerland, he...

Author: /time Magazine | Title: Books: Prospero's Progress | 5/23/1969 | See Source »

Ford's images, then, are images of idealization. The past is redefined and perfected through his magnificent camerawork and lighting, and through his sense of formal structure and geometric harmony. The result is a combination of memory and myth. How Green Was My Valley and The Man Who Shot Liberty...

Author: By Tim Hunter, | Title: John Ford Retrospective | 5/21/1969 | See Source »

"People are just getting nuts about things," says Ruth Boyd, a dealer in Portland, Me. Nudged by demand, a fantastic avalanche of bear traps, Ball mason jars, Prince Albert tobacco tins, grocery scales and mustache cups is pouring onto dealers' shelves. The rust and dust of their long exile...

Author: /time Magazine | Title: Antiques: Return of Yesterday's Artifacts | 5/2/1969 | See Source »

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