Word: traubel
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...night-after a warmup of Delibes, Mozart and Puccini -will the curtains part on the serious business of a Wagnerian music drama. That night in Siegfried, the fans will get the season's first eye-&-earful of the reigning queen of the Met, heroic-voiced, heroic-sized Helen Traubel...
...Melchior-two singers with the bellows and brawn to shout down the batteries of trumpets and trombones that Wagner put to work in the pit. Since Flagstad went home to her quisling husband and semi-retirement in 1941, the Met's Wagnerian first team has been Melchior and Traubel...
Home-Grown Wagnerian. At first by default, and increasingly by merit, Helen Traubel has become the greatest Wagnerian soprano singing in the world today. She is the first great soprano at the Met to sing Wagner and nothing but (Flagstad sang Beethoven's Fidelia). She is also the first American-born Brünnhilde and Isolde who didn't study at the Wagnerian shrine at Bayreuth. Until 1940, when she sang in Canada, Helen Traubel had never been out of the U.S. She has never crossed the Atlantic...
...Helen Traubel at 43 is a prima donna in technique but not in temperament. A hearty, buxom woman with auburn hair and green eyes, she is as relaxed as a double-jointed shortstop. According to her husband, she is so chronically good-natured that "no one is ever quite sure whether she is stupid or lethargic." She was born above her father's drugstore in the old German section of South St. Louis, and brought up in so deeply Germanic an environment that she still punctuates her conversations with...
Wagner: Die Walküre-Duet (Act I Scene 3) (Helen Traubel and Emery Darcy with the Philharmonic-Symphony Orchestra of New York, Artur Rodzinski conducting; Columbia, 6 sides). Helen Traubel's Sieglinde is more vigorous but less musically sure than the old Lotte Lehmann version. Performance: good...