Word: traviatas
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...related and not uncommon condition in which imaginary music seems to come from an outside source that can't be turned off - the results are often debilitating. One patient, June B., has been subjected to a short, repeating playlist that includes Amazing Grace, the drinking song from La Traviata and "a really dreary version" of We Three Kings of Orient Are, for over 10 years...
...most celebrated and most exciting tenor in the second half of the 20th century. Was he also the best? Here a definition of terms is in order. Some tenors ranged more widely through the repertory. Pavarotti concentrated on the classic lyric roles in such works as La Boheme, La Traviata and Madame Butterfly, and in later decades, when his voice turned darker, added more forceful roles like those in Tosca and Un Ballo in Maschera; but he rarely ventured into ruggedly dramatic territory, and almost never sang in any language but Italian...
...that glittering opening night of The First Emperor as a movie-critic. The title role is sung by Placido Domingo, who in the 80s displayed his celebrated tenor in movie versions of Cavallieri Rusticana, Pagliacci, La Traviata and Otello, all directed by Franco Zeffirelli. But I was mainly interested in the Chinese connection. I wanted to see ? hear, really ? what Tan Dun, the gifted composer who had won an Oscar for his scoring of Crouching Tiger, Hidden Dragon, would do with his epic subject. I also was eager to see the production, since it was to be staged by Zhang...
...under the direction of Peter Gelb, seems to have gone movie-mad this season. Movie-director mad, anyway. Zeffirelli, the opera and film visionary, has four productions on the season's schedule: La Boheme, Tosca, La Traviata and Turandot. Julie Taymor ? best known for her Lion King on Broadway but also director of the films Titus, Frida and the forthcoming Beatles pastiche Across the Universe ? has condensed her zazzy Zauberflote, which premiered at the Met in 2004, into a 100min., kid-friendly Magic Flute. And Anthony Minghella (The English Patient, Cold Mountain, the current Breaking and Entering) did a rapturously...
...budget line by line, until expenses are balanced by box-office receipts and fund raising. This may seem like mere common sense, but in opera it is a radical approach. Of necessity, she chooses the repertoire carefully and conservatively, this season balancing ham-and-eggers like Butterfly and Traviata with Otello and Die Meistersinger, the lone German entry. "What I've learned," says Krainik, "is that you can have all the art you want if you've got the money...