Word: traviatas
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Dates: during 1940-1949
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...third of its funds from radio fans in its last appeal for help. Curious to know its radio fans' taste in opera, the Met asked 123,000 of them to pick their favorite operas. The choices: 1) A'ida, 2) Carmen, 3) La Traviata. Among operas less frequently heard, listeners picked Hansel and Gretel, Boris Gudunov, and Der Rosenkavalier. (The Met promised to broadcast all six next year.) Notably unchosen: Wagner...
...Pert Judy Garland (Mrs. Vincente Minnelli) burlesquing a world-weary but oh-so-cordial movie queen in a dance-and-doggerel brush with the press. ¶ Tenor James Melton and Soprano Marion Bell warbling their way through the wine-cup scene from Verdi's La Traviata...
...while Baritone Duncan quietly practiced six operatic roles (Tonio in 7 Pagliacci, Escamillo in Carmen, Rigoletto, Germont in Traviata, the Ethiopian King in Aïda and Valentin in Faust). Last week his chance came-from New York's municipal, low-priced opera company, presided over by a self-conscious champion of race equality. Mayor F. H. LaGuardia. Todd Duncan made his debut in I Pagliacci, followed it two nights later with Carmen. Sympathetic audiences cheered him long. Critics were almost as loud in praise of his singing, hoped his acting would improve. Musically, LaGuardia's opera company...
...curvaceous blonde named Dorothy Kirsten. When she had appeared in a revival of Puccini's Manon Lescaut at the City Center Opera, the Italian operatic grapevine registered a medium-sized tremor. When she topped that with a striking performance of the far more exacting role of Violetta in Traviata, it began to sprout melodious expletives. The coloratura of her Sempre libera was passionate, accurate, brilliant. She was undoubtedly a rarity: a lyric soprano with dramatic oomph and coloratura glitter, the best Violetta heard in Manhattan since the late, great Claudia Muzio...
...number of operatic voices really worth recording dwindled to a handful. One great voice that lasted long enough to be well recorded was Soprano Claudia Muzio's. Probably no living soprano (she died in 1936) approaches the vocal assurance and dramatic power recorded here in arias from Norma, Traviata, Forza del Destino, etc. Recording: good...