Word: traviatas
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...flame's the same next season when Fontanne plays the dowager empress in NBC's Hallmark production of Anastasia. Alfred will not be left home to tend the petunias. He is scheduled to direct the Metropolitan Opera's new version of La Traviata at the same time. And as his wife says, "When Alfred is working with the Met, I'm really sort of squeezed out. I'm delighted to be, but it really can be rather boring. So the show will be my angel of deliverance...
Divorced. By Mary Costa, 36, blonde and beautiful lyric soprano, who left a $150,000-a-year job as TV's Chrysler Girl for an opera career, making her widely acclaimed 1964 Metropolitan debut as Violetta in La Traviata: Frank Tashlin, 53, Hollywood writer-director of slapstick comedies (The Man from the Diners' Club); on grounds of cruelty; after twelve years of marriage, no children; in Santa Monica, Calif...
...Metropolitan Opera Auditions, made his Met debut in Cosi Fan Tutte as a last-minute substitute for an ailing tenor, and was promptly acclaimed the find of the season. In the years since, he has sung leading roles in Madame Butterfly, Simon Boccanegra and La Traviata, next season will portray Count Almaviva in The Barber of Seville. "Fifteen years ago," says Shirley, "I probably wouldn't have been accepted by the Met. Ten years ago, I couldn't sing my favorite roles. Times are changing...
Munich heard her for the first time last year. Staatsoper's Director Rudolf Hartmann was so impressed by her performance that he staged last week's special La Traviata for her. Stratas did not let him down. Her singing of Verdi's virginal strumpet, Violetta, swept the packed house into a record 43 minutes of tumultuous applause. Raved the Süddeutsche Zeitung: "Stratas intuitively found everything that makes the part touching, the erotic flair of the doomed girl, the fire and despair of her heart. Her light, balanced soprano obeys each impulse: from tender lyricism...
There were fleeting moments on a higher plane. Operatic Soprano Anna Moffo, aglitter in gold, thrilled with a selection from La Traviata. Folk Singer Joan Baez, musically effective if a bit maudlin, dedicated All My Trials and its plea, "Hush, little baby, don't you cry," to Jacqueline Kennedy. The show crashed to a close as a huge red heart emblazoned U.S.A. LOVES L.B.J. drifted from the ceiling and the crowd chorused an Allan Sherman parody to the tune Once in Love with Amy. Sample lyric...