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...talking to himself, muttering little associated fragments of knowledge. Like a boxer staying down for a count of nine, he takes all the time he can possibly get ("Let's skip that part, please, and come back to it"). When trying to identify the character in La Traviata who sings the aria Sempre libera, he half-whispered: "She sings it right at the end of a party given by ... What's her name! Soprano. Her name is like . . . Violetta. Violetta!" Some viewers get the feeling that he knows most of the answers immediately and simply makes the audience...

Author: /time Magazine | Title: TV & Radio: The Wizard of Quiz | 2/11/1957 | See Source »

...Impresario Sol Hurok put some of music's brightest stars into dazzling constellation. The camera let the viewer hover over the fingers of Guitarist Andres Segovia and Pianist Artur Rubinstein, linger in closeup on the intense face of Marian Anderson, share the lilt of Verdi's La Traviata with Victoria de los Angeles, stand amid the powerful climax of Mussorgsky's Boris Godunov, superbly acted and sung by Bulgaria's Boris Christoff. Festival showed, far more eloquently than in its first edition ten months ago, that TV can add to music a certain intimate magic...

Author: /time Magazine | Title: Television: Kudos & Cholers | 12/24/1956 | See Source »

Once, her enemies began to heckle as she got to the high notes of her second aria in Traviata. Callas tore off her shawl, stepped to the front of the stage, glared directly at her tormentors. With reckless ferocity, she lit into one of opera's most perilous arias. If she had made a mistake, it would have been fatal. Instead, she sang with immaculate and unearthly beauty. Five times she was called back by the deliriously happy audience, five times she stood, stony and arrogant, before turning away. On the sixth call, she relented, bowed to everybody except...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

Professionally, Callas is just as ruthless. This year she broke with the maestro who helped her first and most, Conductor Serafin. Her complaint: he recorded Traviata with another soprano. Her decision automatically eliminates Serafin from his old job as conductor for her opera recordings and the old man is finding that other singers are now mysteriously unable to sing under him. Says he: "She is like a devil with evil instincts." Says La Callas: "I understand hate; I respect revenge. You have to defend yourself. You have to be strong, very, very strong. That's what makes you have...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

...Sebastians, Gene Kelly and Fredric March in Front Page, a Roy Rogers rodeo. NBC will also give opera, ballet and concert-hall music their biggest boost as popular art forms with the Sadler's Wells Ballet's Cinderella, Puccini's La Boheme, Verdi's La Traviata, Beethoven's Fidelio, the world premiere of Prokofiev's War and Peace and Sol Hurok's Music Festival. Producer Max Liebman will try to develop Comic Buddy Hackett as a top comedian with a half-hour comedy series...

Author: /time Magazine | Title: Radio: And Away We Go | 9/17/1956 | See Source »

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