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Comes the revelation. In a dingy, sub-cellar police station the great Ferraro sings "La Traviata" before a jury of the town's musicians and is promptly acquitted, after promising to sing Rudolpho in the town's production of "La Boheme...

Author: By E. G., | Title: CRIMSON PLAYGOER | 6/12/1933 | See Source »

...most popularly known singer in the U. S. He was given increasingly important roles at the Metropolitan: Amonasro in Aida, Telramund in Lohengrin, Wolfram in Tannhauser, King Eadgar in The King's Henchman, Colonel Ibbetson in Peter Ibbetson, Jonny in Jonny Spielt Auf, the elder Germont in La Traviata, Sheriff Jack Ranee in The Girl of the Golden West...

Author: /time Magazine | Title: Music: O'Neill into Opera | 1/16/1933 | See Source »

...plump, liquid-eyed tenor is Giacomo Lauri-Volpi, who earns fat contracts by hurling lusty high C's at the boxes in William Tell, caroling lushly in operatic staples like La Traviata and Rigoletto. He has been paid well by the Metropolitan Opera. But he says that the U. S. is culturally immature, that he will stay in Europe next year when his contract expires. There he is more appreciated. In Paris, for instance, it is a gala occasion when he sings as guest star; the Opera pushes up its prices a bit (usually $3.20 for best orchestra seats...

Author: /time Magazine | Title: Music: Star Crushed | 7/27/1931 | See Source »

People everywhere have heard Nellie Melba sing "Home Sweet Home," "Comin' Thro' the Rye," Tosti's "Goodbye." Opera crowds have seen her as Mimi in La Bohème, Violetta in La Traviata, Marguerite in Faust, Gilda in Rigoletto, Lucia, Juliette. The pure and springlike quality of her voice established her as Patti's greatest successor. It lasted her well through middle age because she used it so intelligently, won her triumphs for 40 years. Melba's life was as glamorous as the prima donna of fiction. She made her American debut at the Metropolitan in 1893 five days after famed...

Author: /time Magazine | Title: Music: Friendly Split | 3/2/1931 | See Source »

...town reports were exaggerated. The Metropolitan did not close. It has never closed prematurely, no matter what its difficulties. Casts were shuffled about, performances given adequately. One by one the sick singers came back to work, Rosa Ponselle to give a dark, overdrawn performance as Violetta (La Traviata), her first...

Author: /time Magazine | Title: Music: Sick Singers | 1/26/1931 | See Source »

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