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Hisses, boos and catcalls last week rewarded Soprano Amelita Galli-Curci for her twitterings as Violetta in a Budapest performance of La Traviata. On the occasion of her recent retirement from Manhattan's Metropolitan Opera House (TIME, Jan. 27), she provoked controversy by pronouncing interest in opera dead...

Author: /time Magazine | Title: Sir Harry Lauder | 3/10/1930 | See Source »

Soprano Claudia Muzio (Mrs. Renato Liberti) wore diamonds in the ballroom scene of La Traviata. The same afternoon a writ of attachment had been filed on all her gowns and jewels by the Phillip Barnett Co., jewelers, who complained that she owed them...

Author: /time Magazine | Title: Music: Robeson's Return | 11/18/1929 | See Source »

...rzburg, Bavaria, Lilli Lehmann started her career as a coloratura soprana. Bellini and Donizetti were her gods. Then she met a little man with burning eyes. He was her mother's former lover and he told her she must study his music. And so she abandoned her Traviata, her Mignon, her Carmen, and became instead an Elsa, a Brünnhilde, an Isolde. Soon she became world renowned as the great Wagner interpreter. In 1885 she went to the U. S., to the Metropolitan. City after city paid her tribute. Grover Cleveland and Andrew Carnegie were among her admirers...

Author: /time Magazine | Title: Music: Lehmann Dead | 5/27/1929 | See Source »

...Oskar von Riesemann will be news entirely. The story is of a young aristocrat who left military service to become a government clerk that he might have more time for music. Borodin remembered him in the early days as a foppish fellow who played bits from Trovatore and Traviata but that pretty stage passed swiftly. A peasant streak came out. Moussorgsky loved Russia and its history. He loved the people and the soil whence they came. He would put them in his music and that music would be unfixed by petty patterns. So the idea grew...

Author: /time Magazine | Title: Books: Moussorgsky | 2/11/1929 | See Source »

...Metropolitan Opera House, Manhattan, Spanish-soprano Lucrezia Bori made her first appearance of the season in Traviata, given under the patronage of the King and Queen of Spain for the benefit of the University City in Madrid. Importantly present in Box No. i were Don Alfonso of Orleans, Infante of Spain, first cousin of the King, his wife the Infanta Beatrice, sister of Queen Marie of Rumania. Ritually they joined the applause for tender, tripping tunes, for tender, tearful tunes. Gladly they heard next day that the performance had earned their home university some...

Author: /time Magazine | Title: Music: Music Notes, Dec. 10, 1928 | 12/10/1928 | See Source »

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