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Director Travis Preston, recognizing the work's nature, has staged the work simply by placing the three singers on a dark stage instead of at the front of a concert hall. The performance of the songs by Robert Honeysucker, David Ripley and Kim Scown is remarkably emotional for such somber...

Author: By Scott A. Rosenberg, | Title: Brecht in Boldface | 12/9/1980 | See Source »

These are genuinely ordinary people, as ordinary as real people could be, and their problems are ordinary. They are, as I said, depressed, which seems to be the most ordinary thing in the world. After all, who isn't? Some might argue that this is the problem with the movie...

Author: By Paul A. Attanasio, | Title: La Vie Quotidienne | 10/15/1980 | See Source »

Rebecca, Follett's 13th novel (several were written under pen names), combines the authentic tension of the times with breathless high adventure and breathers of low comedy. Sonja's Nile-blue bisexual capers aboard her houseboat Jihan do not exactly resemble the mild erotica enacted aboard Travis McGee...

Author: /time Magazine | Title: Books: Nile Wiles | 9/29/1980 | See Source »

"Anything worth doin's worth overdoin'," says Meat Loaf, the 260-lb. rock singer and star of Roadie. But this is one movie that knows how to overdo it-with speed, elegance, wall-to-wall raunch and a flaky, sidewise wit. Meat Loaf plays Travis W. Redfish, a...

Author: /time Magazine | Title: Cinema: A Great Rock-'n'-Roll Caravan | 7/7/1980 | See Source »

Maggi-Meg Reed can belt out a song like "Maybe This Time" with all the expression and ease of the seasoned professional she protrays. She makes a "perfectly marvelous" Sally Bowles, played by Liza Minelli in the movie version, the blithe singer who moves in with American writer Clifford Bradshaw...

Author: By Sarah L. Mcvity, | Title: The Slide Into Darkness | 3/11/1980 | See Source »

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