Word: tre
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Dates: during 1960-1969
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...people have been rude about Hector Berlioz," says English Conductor Colin Davis, and he wishes they would quit. Alas, poor Berlioz has suffered more than his share. In 1829, when he was 25, he submitted his passionately theatrical piece for soprano and orchestra, Cléopâtre, to the Prix de Rome committee. It was rejected with a scolding from one of the judges, who said, "You refuse to write like everybody else. Even your rhythms are new. You would invent new modulations if such a thing were possible." The story goes that when Gioachino Rossini was shown Berlioz...
...overture was followed by the maligned Cléopâtre composition, sung by Mezzo Beverly Wolff, and several excerpts from the dramatic symphony Romeo and Juliet. The first is charged with imaginative pictorial touches-for example, the snakish slide of the violas and cellos as Cleopatra clasps the asp to her bosom. In Romeo and Juliet, Berlioz shows that he can be as tender with Shakespeare's young lovers as he is terrifying with Cleopatra. Berlioz did not, however, always have to rely on emotional pressure. The overture to the comic opera Beatrice and Benedict, which Davis played...
Boulez, who lives in Baden-Baden, knows better than most conductors how the music of his own time should sound, since he himself has composed some of the best of it (Eclat, Le Marteau sans Maítre). When he takes to the podium, he brings along insight, evangelism, an insider's care, and the ability to get what he wants from an orchestra. This is why he has become one of the most sought-after guest conductors in Europe and the U.S. It helps explain why, in the space of only a few years, his recordings of Schoenberg...
Jean Louis Barrault is one of the towering figures of the French stage. A brilliant mime and tragedian, he has also been a potent instigator of dramatic innovation as director of the Théâtre de France, giving world premières of works by such playwrights as Beckett, lonesco and Genet. Last week Barrault interrupted rehearsals at his company's permanent home, the Odéon Theater on Paris' Left Bank, to announce that he had been dismissed as its director. The coup de grâce was administered in a curt letter from...
Barrault's removal set off a chorus of protest by French stage figures and critics. Nearly half of Barrault's actors vowed to quit the Théâtre de France if he decides to form a new company of his own. Meanwhile, the Odéon is deserted. Only an occasional patrolling gendarme walks its stage...