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Controôle au Sol: JVH, Québec sol. Piste zéro six, vent zéro sept zéro à cinq, l'heure zéro deux cinq cinq, altimètre deux neuf neuf quatre. A la piste...

Author: /time Magazine | Title: The World: Air Talk: Attendez, S'il Vous Pla | 7/19/1976 | See Source »

Balanchine first choreographed this mixed-media event for Téàtre de Mon te Carlo in 1925, shortly after he first met Ravel. Perhaps it would have been better to let the work retreat into decent obscurity. This new production is sumptuous by City Ballet standards, but the singers are nearly incomprehensible, the Daliesque sets poorly lit and the comic effects too often unfunny...

Author: /time Magazine | Title: Dance: Instant Festival | 5/26/1975 | See Source »

Thus Wilson faced the greatest crisis in his career as he returned from meetings with President Ford in Washington last week. Some British commentators have already begun composing his political obituary. Wrote London Sunday Times Columnist Ronald Butt: "Mr. Wilson has lost his raison d'e#233;tre as leader. The qualification that justified his other shortcomings was his success at being all things to all men. He has now lost that knack...

Author: /time Magazine | Title: BRITAIN: A Rake's Painful Progress | 5/19/1975 | See Source »

...Gaston Lenôtre, 54, France's dessert-maker sans pareil and its leading traiteur, a specialist in canapés, sandwiches and salads (he was in charge of all the lunches and desserts...

Author: /time Magazine | Title: Modern Living: Ship of Drools | 5/19/1975 | See Source »

However, the Revolution's big gift to art was not some chimera of "radical style." It was the museum. There, as David and his colleagues foresaw, the eclectic authority of the past would become the teacher, displacing the personal authority of whatever mítre was running the academy. Thus the museum became the embodiment of free choice...

Author: /time Magazine | Title: Art: Revolutionary Olympus | 3/17/1975 | See Source »

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