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HOLIDAY ON ICE (ABC, 9:30-10:30 p.m.). A color special from the Palais du Sport in Paris featuring several world champion skaters, a skating chimpanzee, and Maïtre des Cèrèmonies Milton de Berle...

Author: /time Magazine | Title: Television: May 13, 1966 | 5/13/1966 | See Source »

...named after Catholic saints. In 1813, the law was liberalized to include names of other "persons known in ancient history," but it has stood unchanged since, and today, though Charles de Gaulle exhorts his countrymen to "marry our century," French offspring may be christened Luc, Cléopâtre or Nabuchodonosor but not Lyndon, Elke or Nasution...

Author: /time Magazine | Title: World: Qu'y a-t-il dans un nom? | 1/7/1966 | See Source »

...dropped his 17 pseudonyms, invented Inspector Maigret, and wrote the first of "more than 60" detective novels that have made him the most famous of French whodunists. In his 30s he began to write an occasional straight novel (The Snow Is Black, The Bells of Bicêtre), and he wrote them with such fierce finesse that André Gide pronounced him "perhaps the greatest and most truly novelistic novelist in French literature today...

Author: /time Magazine | Title: Books: A Practiced Hand | 12/10/1965 | See Source »

...Chagall story two weeks later, Randal found the old painter most impressed that this young reporter who was interviewing him also rushed out to cover coups. Chagall demanded a complete, firsthand account of the situation in Algeria. Suddenly, Randal was In. From that time the maître called him "mon cher," and the conversations went smoothly. Before the interviewing was over, Art Writer Jon Borgzinner flew to France to join Randal for an animated session with Chagall and his wife on art, life and nature-cooled by Campari and soda...

Author: /time Magazine | Title: A Letter From The Publisher: Jul. 30, 1965 | 7/30/1965 | See Source »

Premiered by Diaghilev in 1923 in Paris' Théâtre de la Gaité Lyrique, Les Noces has not been performed in the U.S. since 1936 because of the difficulties of mounting it. But the Robbins production was a symptom of the revived vigor of the American Ballet Theatre, which has had its ups and downs since it first burst on the U.S. stage with such freshly contemporary ballets as Robbins' own 1944 Fancy Free. Its current season at Lincoln Center has been a near-sellout success. Once again the company is what it was intended...

Author: /time Magazine | Title: Ballet: Back on Solid Ground | 4/9/1965 | See Source »

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