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Sheherazade (Columbia) is a passionate performance of Maurice Ravel's coldly exciting music, with Mezzo-Soprano Jennie Tourel sharing the enthusiasm built behind her by Leonard Bernstein and the New York Philharmonic. Berlioz' Cléopátre, on the other side, is less remarkable music...

Author: /time Magazine | Title: Cinema: Apr. 19, 1963 | 4/19/1963 | See Source »

Poulenc: Concerto in D Minor (Angel) features the late Francis Poulenc and Jacques Fevrier as the two pianists in Poulenc's familiar and joyously baroque double concerto. Concert Champétre for Harpsichord and Orchestra, on the other side, is not vintage Poulenc, though played with mercurial zeal by Harpsichordist Aimée van de Wiele...

Author: /time Magazine | Title: Cinema: Apr. 19, 1963 | 4/19/1963 | See Source »

...even interested in showing themselves well-behaved democrats. "Peronismo is not and never will be just another political party/' railed a Peronista union leader at a rally last month. "We are not interested in government unless we have power. Attaining power is the raison d'ètre of our existence, and can be carried out only by revolutionary methods...

Author: /time Magazine | Title: Argentina: War & Peace | 4/12/1963 | See Source »

...This is a story about good and bad niggers," said the English translation of the program notes supplied for tourists. It was a story about Zio Tom, Signor Legree and Piccola Eva. a story about slavery in harsh old Kentucky. The premiere production of Luigi Ferrari Tre-cate's Zio Tom (Uncle Tom) at the Rome Opera House celebrated the centenary of Lincoln's Emancipation Proclamation, but Rome found it a masterpiece of contemporary social realism. "Poveri negri!" (Poor Negroes), enthusiasts shouted from the balconies, and next morning the Rome press chimed in. "A great opera...

Author: /time Magazine | Title: Music: La Coponna dello Zio Tom | 3/22/1963 | See Source »

...dark hair. When the concert is over he tries to follow her home, but the subway swallows her up. At the next concert she smiles absently in his direction-Antoine reels with bliss. At the next she actually speaks to him-Antoine has found his Cléopâtre. Colette, on the other hand, has merely found a nice polite boy who works in a phonograph-record factory and likes to talk about music, small for his age of course and a bit slow growing up but all the same good company for a girl who never...

Author: /time Magazine | Title: Cinema: Amorous Anthology | 3/8/1963 | See Source »

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