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...dial of his bathroom scales shows a baby's face. He answers legal documents with pastel scrawls on colored construction paper. Recently, and with a little embarrassment, his lawyer turned the town's official notices over to the courts complete with an emblazoned DON'T TREAD ON ME and coiled snake -Pleuthner's art work and heartfelt response. Cocking his head, he says: "The people in Scarsdale may be wealthy, but esthetically, they're paupers...

Author: /time Magazine | Title: The Suburbs: The Beleaguered Castle | 7/26/1968 | See Source »

...novel) gossiping with his bishop about the long drawn-out election of a new Pope. With malice towards everyone, Rolfe is as agile as a marmoset, and a sharp-toothed incessant talker. The talk is hushed as chanting begins in the rear of the theater. With measured tread, the Sacred College advances down the two long aisles in a swirl of scarlet and incense. As the cardinals reach the stage, they pause before the bishop and the priest: "Wilt thou accept pontificality?" Rolfe turns to kneel to his bishop, so unexpectedly chosen, only to find that the prelate is already...

Author: /time Magazine | Title: The London Stage: Hadrian VII | 5/31/1968 | See Source »

...premium, the 6-ft.-4-in.-long Cubicar is a fascinating concept. With a top speed of 55 m.p.h., it gets about 24 miles to the gallon. It can seat five adults in comfort. And it can park, headon, where even a Volkswagen would fear to tread...

Author: /time Magazine | Title: Modern Living: Glassy Prototype | 5/10/1968 | See Source »

DISRAELI GEARS (ATCO Records). This new music group, Cream, serves up a fancy dish of hard rock topped off with choice, albeit bittersweet, lyrics. Drums whip up a froth of steady background rhythms, while the guitars and vocals tread a steady path through the blues of commentary on the human condition...

Author: /time Magazine | Title: Television: Jan. 12, 1968 | 1/12/1968 | See Source »

...camera that is not there. Colleen Dewhurst puts consistent bristle, greed and spunk into Sara, bul cajolery does not seem to be her brand of brogue. Since quite a bit of O'Neill's dialogue is melodramatic, maudlin or mushy, Arthur Hill does little more than tread gingerly on his lines, as if they were booby-trapped...

Author: /time Magazine | Title: Theater: O'Neill's Last Long Remnant | 9/22/1967 | See Source »

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