Word: treating
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Dates: during 1930-1939
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...this the U. S. press was largely responsible. Its original sin was omission-failure to tell what kind of man he was, to treat him with the customary cynicism with which it keeps public characters in perspective. Instead the press succumbed to mob psychology, augmenting it beyond belief. In Lindbergh's mind, however, the press became something far worse: a personification of malice, which deliberately urged on the crazy mob and printed lying stories about...
...Gentlemen in attendance" signing this Dutch-treat invitation included such prime Hollywood good fellows as Robert Benchley, James Cagney, Charles Chaplin, Gary Grant, Mark Hellinger, Herbert Marshall, Frank Morgan, Robert Riskin, Edward G. Robinson, Randolph Scott, et al., to the number...
...Student Council has written a damning criticism of what the Harvard Fine Arts department gives its undergraduates. It has damned it for over-emphasis on detail and chronology, for its failure to treat the Fine Arts as one of the humanities, and above all for its utter lack of an integrated educational policy. Daring for the first time to criticize a department, the Council has fulfilled its highest function of canalizing student opinion and supporting it with careful research. And it has asked for the reinstatement of Robin Feild...
Attempts to treat the diversity of contemporary arts had been made before at the Bauhaus in Germany, but they were fancy business in America in 1929. No zealot, Director Barr concentrated on paintings, the main interest of such trustees as Samuel A. Lewisohn and Stephen C. Clark, and bided his time. He got a secretary and five small exhibition rooms in a Fifth Avenue office building. The trustees met for the first time in October, armed with pledges for $200,000. In November the Museum of Modern Art opened its doors with an exhibition of Lillie Bliss's fine...
...black-and-whites, the show represents all trends, tastes, techniques. A few exhibits, with their wavering lines, naïve perspectives, jumbled colors, may invite perplexed comparison with little Hilda's fourth-grade drawings. But there is not enough surrealism to bite beholders. Many things in the exhibition treat in some way of the American scene...