Word: treatment
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Dates: during 1940-1949
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Angus Ward puffed on a stubby little pipe as he told of living for a month on bread and hot water, two weeks of it in unheated solitary confinement at freezing temperatures. One afternoon, after this "hellish treatment," he was hauled before a Communist court, charged with and convicted of beating a Chinese messenger in a scuffle over pay, and ordered out of China. Red broadcasts to the contrary, Ward said, he had "confessed" nothing...
...million-volt betatron installed last summer at the University of Illinois' College of Medicine in Chicago has already proved to be a valuable instrument in the treatment of cancer. The first patient treated with it (TIME, Sept. 5) was Fordyce Hotchkiss, 72, a retired Railway Express employee who had an egg-sized cancer of the larynx. Last week Hotchkiss was thin and nervous, but his cancer was pronounced "healed...
...Roger A. Harvey, in charge of Hotchkiss' treatment, will not say that the patient has been cured until five years have passed without a recurrence of the growth. But no similar deep-seated growth, beginning to spread to the lymph glands, has ever before yielded so dramatically to any nonsurgical type of treatment...
There is nothing more detrimental to the understanding of modern science than fuzzy definitions. Miss Doherty says that one treatment for cancer is the use of "radioactive isotopes from the heart of the smashed atom." Now radioactive isotopes have something to do with atomic energy, but by no stretch of the imagination do they reside in the hearts of atoms nor are they released in the process of nuclear fission. There are several other bad errors...
Intruder in the Dust (MGM) is a too-earnest treatment of a wildly imaginative novel. The story, derived from one of William Faulkner's most polemic works, was shot almost entirely in Faulkner's home town (Oxford, Miss., pop. 3,500), with the author acting as a sidewalk superintendent during the filming. Nonetheless, the movie, stripped of Faulkner's peripheral probings into mind, heart and scene, is not only dead serious but dead on its feet; its cautious approach to its material results in a film that is more like an arty still photograph than a motion...