Word: tree
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Dates: during 1960-1969
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Last week Cavett interviewed Comic Pat McCormick, who discussed the possible effects of a steel strike on the California Christmas-tree market. Cavett is still too innocent to prevent a veteran pitchman like Art Linkletter from wresting the show away from him and giving a 15-minute spiel for a new game he helped invent. But in defense, Cavett, a former gag writer, can fall back on old material. Once, he said, when he was out of work, he used to write dirty jokes for kids to use on Linkletter's TV House Party...
HAVING vindicated himself by making a statement of his own artistic humility, he attacks. He accuses the entire world of believing in its own artifices and of vesting them with pompous officialdom. Steinberg contrasts the substantiality of a painted chunk of rich brown earth and a simple tree, with the frenzied intricacy of man's nervous world, by juxtaposing the two scenes on cliffs separated by a narrow but precipitous chasm...
Screaming "Blood for blood!" and "Clean up your house, O President!", 15,000 students battled police for two days with bricks, tree limbs, firecrackers and stink bombs manufactured in chemistry labs. They marched on the National Assembly, on government newspapers and on Nasser's own Kubbeh...
...dance-workshop students on a cargo net and, shifting their positions in the webbing, stage a kind of spider-and-fly routine. Erick Hawkins, 54, Graham's former husband, is a Freaked-Out who finds Method in the madness of portraying such things as a pine tree and a shy squash. His movements, though, are often so blandly repetitive that he would do better to imitate a dancer. Anna Sokolow, 55, is a Put-Down whose searing, bleak dances are a condemnation of society's ills. Try as she may, she can't seem to manage...
...story gives Widerberg a chance to play games in the trees and the grass and the flowers. At times he is successful. The mock gunfight between Sparre and his friend on a huge old tree is a beautiful tableau. When Elvira and Sparre walk up a road, the scene has the haunting quality of a Munch painting. But these two scenes are the only truly fine outdoor sequences that are properly exposed. In the rest, the greens are mercilessly washed out in white light; exposures are nearly always one to two stops...