Word: tree
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...boss at M16 headquarters was Kim Philby-as it turned out-of the KGB. "Intelligence gathering, "the author later observed, "is even more fantasy-prone than news gathering. In the latter, you are often expected to make bricks without straw, but in the former, to grow lemons without a tree. "He thus retired from spying with some relief at the end of the war, to "fall subsequently," he recalls, "into the more serious business of editing Punch." Since his days at the British humor magazine, he has plied his trade as a self-described "vendor of words" on radio...
...most of her work at home. "I didn't have what you'd call a happy childhood," insists Streep. "For one thing, I thought no one liked me . . . Actually, I'd say I had pretty good evidence. The kids would chase me up into a tree and hit my legs with sticks until they bled. Besides that, I was ugly. With my glasses and permanented hair, I looked like a mini-adult. I had the same face I have today, and let me tell you the effect wasn't cute or endearing." Brother Harry, two years...
Carrington is impatient with pomposity or snobbery. His sharp wit is tempered by a self-deprecating humor that allows him to make light of his 183-year-old title. "My name is Smith," he jokes; his family tree traces back to a banker named Tom Smith. The family seat is the Manor House, set in 800 acres near Aylesbury, Buckinghamshire; there Carrington indulges his passion for farming and landscape gardening...
...Wunderkind by producing Broadway. Though financially crippled by the stock market crash in 1929, he produced or directed some of the more notable Broadway efforts of the 1930s, including Thornton Wilder's Pulitzer-prizewinning Our Town, A Doll's House with Ruth Gordon and The Green Bay Tree with Laurence Olivier. Harris' memoirs, A Dance on the High Wire (Crown; $10) were published early this month...
...make a clean leap out of modernist history into images "not proven by a continuum," as he wrote to a friend in 1950: "I am myself-not just the sum of my ancestors, and I know myself best by my gestures, meanings...not through a study of my family tree." To a great extent he succeeded. Virtually no modernist paintings done before 1945 look like his work, and even the influence of surrealism, a vital catalyst for Pollock and Rothko, is less apparent in Still than anywhere else in abstract expressionism. Instead of going by fits and starts, testing...