Word: treiman
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Dates: during 1960-1969
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Freckle-faced Joyce Treiman hurls herself at canvas with the intuitive abandon of an action painter, piling on pigment in swooshes and swirls. What emerges is not abstraction but a troubling glimpse of the individual caught up in what she calls "a singular, momentary event." Her figures (see opposite page) seemingly wear the tatterdemalion costumes of burlesque or the circus. Some seem to be mimes from a private dream world; others, characters in a far-out fairy tale...
Appearance v. Reality. After taking her B.F.A. at the State University of Iowa, which is turning out many able young figurative artists (among others: John Paul Jones, Jane Wilson), Chicago-born Joyce Treiman (she rhymes it with Freeman) plunged into abstract expressionism six years ago but soon wearied of its "idealized anonymity." Suddenly, she says, she rediscovered "the particular human being, the singular gesture, the individual-not the hero." She started watching people, even hiring models to avoid painting cliche anatomy, sketching particular faces and gestures that, says she, "somehow find their way" into her pictures. But her figures...
...appearances, except for the inordinate amount of time she spends holed up in her garage-studio, Joyce Treiman, 41, lives the life of a busy housewife in Southern California's Pacific Palisades. A driving, diminutive (5 ft.) redhead with a trooper's vocabulary, she is married to a real-estate dealer, has a 13-year...
...Orange Blobs. Although Treiman's work returns to the figure, she vehemently shuns the dehumanized faces that spare many fashionable artists any need to confront the individual. "No orange blobs," says she. "I'll paint a face where there is one." On a recent swing around the Mediterranean, she discovered at first hand the proto-baroque painters, Ribera and Caravaggio, and has borrowed their theatrical use of localized light to heighten her figures' impression of stirring the air around them...
...Treiman's enthusiasm has been shared by others. She has garnered 18 awards and four fellowships, including a 1963 Ford Foundation grant. She has become engrossed in sculpture as well, turns out tiny bronzes that prance, preen and posture with all the assurance of statuary weighing tons. By combining her small bronzes with her oils, she hopes to make a synthesis between the daydream illusion of oils and the rocky reality of sculpture. Like her oils, her metal figurines capture strikingly the singular event, the particular human being. "These for me," says Joyce Treiman, "are a summing...