Word: treks
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Dates: during 1970-1979
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Though all this takes much time to set up, the talk is at least drivel-free in a way the pompous Star Trek is not, and interest is sustained by Peter Ellenshaw's marvelous effects and designs, particularly of Schell's ship; in its amusing mixture of the plush and the technological, it recalls Captain Nemo's submarine in Disney's 20,000 Leagues Under the Sea. But it is when the visitors have to start fighting their way out of Schell's clutches that the picture begins to take...
...last spring Dr. Dunk's achievements had made him one of the most sought-after high school players in the U.S. More than 200 colleges were hoping to snag him. Dozens of coaches or their representatives made the long trek to the Washington...
...STAR TREK-THE MOTION PICTURE Directed by Robert Wise; Screenplay by Harold Livingston...
...were created to serve a movie's story, to permit the camera to capture that which could not be found-or recorded on film-in the natural world. But now, in the postStar Wars era, stories are created merely to provide a feeble excuse for the effects. Star Trek consists almost entirely of this kind of material: shot after shot of vehicles sailing through the firmament to the tune of music intended to awe. But the spaceships take an unconscionable amount of time to get anywhere, and nothing of dramatic or human interest happens along the way. Once...
...into the intercom. But it is never to the point: it is hard to decipher where the starship Enterprise stands vis-a-vis the mysterious intruder from outer space. When the crew are not jabbering in technocratese, they are into metaphysics, one of the characteristics of the old Star Trek television show and a major reason for its cult vogue among the half-educated...