Word: tremolandi
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...pianos. The considerable body of instruments is never used all at once, but broken into chamber-like groups; even then the instrumental comments are decidedly laconic. Exceptionally, the first movement includes a remarkable passage for tenor and fluegelhorn in free canon, while low sopranos, altos and low violins tremolandi move about restlessly. The peculiar, dark tone of the fluegelhorn (alto bugle) is oddly appropriate in this setting of the most terrible portions of the text. But the canons are the heart of the work. These are uncompromisingly bare of ornamentation, often unaccompanied; every consideration is excluded except...
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