Word: trenton
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Equally tough bargaining methods are being used in the steel industry, where extensive concessions by labor have still not led to company profits. Last week U.S. Steel told 10,000 workers in Chicago, Cleveland, Birmingham, Johnstown, Pa., and Trenton, N.J., that all or part of their plants would be shut down unless they granted concessions that go beyond those in the basic steel contract. The company wants reductions in health benefits, work-rule changes and more flexibility in the use of outside contractors...
Testimony in Trenton, N.J., district court ended a week ago, three and one half years after Clayton originally filed his complaint. A decision is expected from the presiding district court judge in early spring. Clayton's lawyer, Nell Mullen, said this week...
...movie takes us on an entertaining if oft-made trip back in time. The place is Trenton, New Jersey, the year 1967, and the locale an ethnically and racially integrated public high school called St. Catherine's. The mood throughout is decidedly adolescent. We meet all the usual denizens of such films: the clique of giggly, somewhat unattractive girls, the class slut who "likes it while [she's] doin' it" but feels shitty afterwards, the overprotective parents--"you need protein, you need fiber..."--the refined lady drama teacher and her prize student, Jill Rosen, the school's smart, pretty girl...
...under pressure from teachers and parents to drop "that boy," works herself up into a rage after he sneaks into one of her drama rehearsals. Only after he kidnaps the girl and her friend, holding them at gunpoint in the backseat of the "rat" while his friend careens around Trenton, does their relationship return to normal. It falters again when he's expelled from St. Catherine's picks up the next fall when Jill, feeling out of it at Sarah Lawrence, visits him in Miami. Yes, she loses her virginity and suddenly sees the Sheik--who gets his name from...
...edited on the kitchen table of his home in Hoboken, N.J. But Baby, It's You is not the traditional calling-card film of an ambitious young talent, shaping its dexterity to the restrictive demands of the horror or sci-fi genre. This movie, set in Trenton, N.J., in 1967 and loosely based on the teen-age experiences of Producer Amy Robinson, has the same Sayles eye for offbeat casting and off-the-shoulder comedy, the same ability to infiltrate the minds of charac ters from widely different social strata. Nothing has changed but the budget...